The new Saatchi Gallery is provoking discussion of what all that art of the 90s meant. “In the past 10 years, as never before, art has been seeking attention, getting itself noticed, making it big. Once it was an elevated but hardly obtrusive feature of the landscape, dropping the occasional branch in the public road (those bricks, etc). But since the early 1990s art has arrived with a crash, become one of the fallen trees that block our streets, suddenly massive and unavoidable. Yes, it may have come down in the world a little. But heck, look at the visibility. We all know the names carved in the bark. Damien Hirst. Young British Artists. Sensation. The Turner prize. Tracey Emin. Tate Modern. Serota. Saatchi. What happened? What caused this spectacular arrival, that turned art into one of those things that are understood to be newsworthy with no further explanation, like pop, sport, soaps, supermodels?”