“Can — and should — technology right a historical wrong? That’s a question Italians have been asking since a facsimile of Veronese’s 16th-century ‘Wedding at Cana’ was installed on the Island of San Giorgio Maggiore a few weeks ago. At the heart of the debate is the digital re-creation of this vast 1563 painting, which Napoleon’s forces removed from the refectory in the Church of San Giorgio Maggiore 210 years ago and took back to France as war booty.”