He humanized the avant-garde, says one critic. “Ligeti had his own singular and unpredictable parameters. Sometimes he’s almost alarmingly funny, other times mesmerizing, uncanny, hyperbolic, touching, ironic – all the good stuff music used to do.”
He humanized the avant-garde, says one critic. “Ligeti had his own singular and unpredictable parameters. Sometimes he’s almost alarmingly funny, other times mesmerizing, uncanny, hyperbolic, touching, ironic – all the good stuff music used to do.”