“[He] exemplifies the fine art of the cringe comedy better than any other American filmmaker. He has no need for sympathy, having crafted an ambiguous blend of satire and tragedy that rejects any conventional notion of redemption.”
“[He] exemplifies the fine art of the cringe comedy better than any other American filmmaker. He has no need for sympathy, having crafted an ambiguous blend of satire and tragedy that rejects any conventional notion of redemption.”