Battles over the legitimacy of conceptual art occupied a good part of the 20th Century. In the 21st Century those concluding that art has taken a wrong turn with conceptualism are a growing chorus. “The world of fine art now appears exclusively concerned with semiotics, ?the crisis in representation? and other academic matters. Visiting a gallery in the hope of being made to stare in wonder is, according to the prevailing critical theory, ‘sentimental’ and ‘naïve’. Beauty, it would seem, is merely something to be analysed in a cloud of righteous deconstruction. However, the rapidity with which conceptual art evaporates from our consciousness undermines such grandiose pretensions. Once the tribal rituals of endorsement or derision have passed, the oeuvres of our more prominent artists actually evoke very little sense of meaning or avant-garde unease.”