“British theatre has been a broad church – and the result? Tension, perhaps, but for 50 years Britain has arguably led the world in producing top-class theatre-makers, whether they have made it with a pen or a pointy finger or a bit of both. But now, it seems, ‘the play’ – or at least, the model of a script, written by a playwright, directed by a director and performed by an actor – has had its day. Admittedly, those of you who have been to the theatre recently might be forgiven for thinking this prognosis a little premature, but judging by the hand-wringing of a procession of some of the nation’s leading practitioners, the play is dead – especially the well-made one.”