The New Anna Karenina Film Is Like A Ballet – And Ballet Companies Should Learn From It

Sarah Kaufman: “[The film’s] director and choreographer worked closely together to create a magical, stylized world of piercing, intensified feeling. In the dance world, such a feat is all left to one person, the choreographer or company director. … But making a work of living, urgent and irresistible theater, where every moment works, not just the danced ones, is often simply not in the dance specialist’s arsenal.