“At a time when the international art world could fit in a teacup and resistance to contemporary art for sale was unimaginable by today’s orgiastic standards, the works alone weren’t enough to haul in an audience. What did was her flair for the absurd and show(wo)manship in a courageous, radical effort to make art more accessible. In doing so, she creatively destroyed the nascent gallery world before it could even stand on its feet.”