There are signs that Black theatre has come of age in Britain. “No longer tucked away in fringe venues, or in companies that specialise in black work, it is striding confidently across the stages of major London theatres. ‘The talent has been there for a very long time,” he says. “The dominant culture has been slow to open itself up to the new voices that are blossoming in our midst. I think we’ve not been good enough at that.’ That may well be true. But the delay means that these new voices have arrived fully formed…”