Any hope for a good project to rise on the site of the World Trade Center is now dead, writes Ada Louise Huxtable. “The death of the dream has come slowly, in bits and pieces, not as a sudden cataclysmic event. It has not been a casualty of the more obvious debate over whether the replacement of the lost 10 million square feet of commercial space demanded by the developer is an economic necessity or the defilement of the land where so many died. This has been a subtler, more insidious sabotage, through the progressive downgrading and evisceration of the cultural components of Daniel Libeskind’s competition-winning design.”