“Let’s push aside the notion of it as art straight off. It’s more in the company of the evolving gutter press of 18th-century England. … No Balls has little affinity with great political art, past or present.”
“Let’s push aside the notion of it as art straight off. It’s more in the company of the evolving gutter press of 18th-century England. … No Balls has little affinity with great political art, past or present.”