Author: Douglas McLennan

Record Intact: Boston’s H&H Extends Its Streak To 167 Years Of Messiahs. Here’s How

The period-instrument orchestra first performed the resplendent “Hallelujah” chorus during its inaugural concert in 1815, presenting the American premiere three years later. In the centuries since, H+H has often performed the storied oratorio, including, for the past 166 years uninterrupted, annual holiday performances that have sustained Bostonians through the Great Depression, two World Wars, 32 presidencies, the Civil War, and the Spanish Flu pandemic. – Boston Globe

Late-Night TV’s Trump Problem

Trump has been a singular challenge for writers in the late-night landscape. An obvious target as a candidate—with his verbal gaffes, body language, and appearance contributing to facile impressions and shallow punchlines—he killed the joke when he won the White House. As president, he placed traditional late-night shows in “a rock-and-a-hard-place situation. – The Atlantic

Theatre That Steps Outside The Theatre

“We are all here because we believe in the power of theatre, right? We think it has the power to change minds, to catalyze conversations, to shift narratives. But we most often limit that to what’s on our stages, with the goal that our mostly wealthy, mostly white patrons might see our groundbreaking show and say, “Wow, I never knew that.” But if we approached theatremaking as cultural workers, we wouldn’t be measuring success only by the number of tickets sold, and our programming choices wouldn’t be driven primarily by the institution’s need to sustain itself.” – American Theatre

What It’s Like To Be A Trans-Gender Opera Singer

“I couldn’t acknowledge that I was transgender or even queer until 2010, when I was studying voice at St. Olaf College. I was confronted with difficult realizations about who I am that I couldn’t reconcile with my plan to become a classical singer. Suddenly I was caught between two options: to live an authentic life or to keep studying voice. Maybe I was offering myself excuses, but I wasn’t willing to stop singing, so I didn’t change course. It wasn’t until January 2020 that I came out publicly as a transgender woman.” – OperaCanada

The Complicated Career Of Louis Armstrong

Meeting culture in the middle meant Armstrong could change things from within. The list of firsts he oversaw is staggering. Knockin’ a Jug, which featured black and white musicians, was one of the US’s first integrated recordings. That same year, he cut the first integrated vocal duet, Rockin’ Chair, with white singer Hoagy Carmichael. Black and Blue, a 1929 B-side on Okeh Records’ “popular music” listings (a label that had previously marketed him for “race records”), has been called American music’s first bona fideprotest song against racial inequality. – The Guardian

How To Deal With Offending Classics?

“The art of dance is distinct in being the single art in which the body is the most easily decontextualized from the surrounding work—in order to be consumed as if it existed in and for itself. Yet, in the present controversies that swirl about nineteenth-century ballet classics such as La Bayadère, those which display the racial stereotypes of Orientalism, the problem is more complex than that of bodies alone.” – MassReview