Michael Andor Brodeur: “For all the power and dramatic force opera can generate, it remains a sublimely vulnerable form, its fantasy created onstage and tenuously protected from the elements by the eggshell shield of the proscenium. Here, outside among the hum and honk of afternoon traffic, it doesn’t really stand a chance.” – The Washington Post
Author: Matthew Westphal
Hollywood Finally Starts Trying To Get Nonwhite Accents Right
“Over the past five months, major film and television studios have signaled renewed efforts to depict people of color thoughtfully and authentically. It isn’t really possible to verify the sincerity of these efforts, but the changing role of dialect coaches — and how they’re allowed to work — may offer a way to judge their success.” A reporter talks with three dialect coaches, one Black and two Latina, about the new demand for their work. – The New York Times
Wole Soyinka To Publish His First Novel In 47 Years
“The Nigerian playwright and poet, who became the first African to win the Nobel prize for literature in 1986, published his widely celebrated debut novel, The Interpreters, in 1965. His second and most recent novel, Season of Anomy, was released in 1973. Chronicles of the Happiest People on Earth, which will be published in Nigeria before the end of the year [and internationally in 2021], will be his third.” – The Guardian
At Last Minute, Baltimore Museum Of Art ‘Pauses’ Controversial Sale Of Three Paintings
“The decision” — made just a few hours before the gavel was to fall at Sotheby’s — “not to move forward with the offloading of paintings by Clyfford Still and Brice Marden, plus an Andy Warhol canvas through a private sale, follows weeks of controversy, which culminated in indirect censure from the Association of Art Museum Directors.” – Artnet
Postponed Philip Guston Exhibition Moved Up To 2022 After Heavy Criticism
“The National Gallery and three other major museums” — Tate Modern in London and the Museums of Fine Arts In Houston and Boston — “had announced that they were delaying the retrospective, which was originally intended to begin its tour last June, after taking into account the surging racial justice protests across the country. … Some critics said the decision to delay the retrospective amounted to self-censorship fueled by fear of controversy.” – The New York Times
France And Germany Close Theaters And Concert Halls As Second Wave Of COVID Intensifies
“Starting Friday, France will go into a nationwide lockdown with just schools and essential businesses staying open until Dec. 1, while in Germany, the new measures will close restaurants, bars, gyms and cultural spaces like theaters for one month, but exempt schools and shops.” – The New York Times
Nico Muhly’s New Piece For San Francisco Symphony Would Be Impossible To Perform Live
With no live concerts since March and no prospect of restarting them soon, the orchestra commissioned Muhly to write a work specifically for virtual performance. The result is Throughline, “a piece of big-girl music that has big-girl stuff in it” (as Muhly put it) that involves the orchestra and all eight of the creative partners Esa-Pekka Salonen engaged when he was appointed SFS music director. – The New York Times
15 Past Presidents of AAMD Sign Letter Calling for Baltimore Museum to “Reconsider” Planned Sales
Can you stop a speeding freight train before it crashes? (Update: in this case, turns out the answer is yes.) – Lee Rosenbaum
‘Unmitigated Disaster’: Why Vice Media Appears Headed Toward A Bad End
“After being perceived as the red-hot center of Millennial-based media culture for the past decade or so, Vice’s place is harder to pinpoint now. Some of it is still edgy and provocative. But increasingly the impact of its work feels more like the proverbial trees falling in the forest. … Top executives at Vice tell you the present is pretty damn fabulous, while the best is yet to come. Former employees — or at least those willing to speak out despite confidentiality provisions in their contracts — say Vice is an unmitigated disaster.” – Air Mail
Why Comedy Should Be Treated As The High Art It Is
“Crafting laughs is the most high-stakes form of creation. It is intrinsically difficult, as ‘funny’ varies from person to person in a way that ‘sad’ or ‘romantic’ just doesn’t. Plus, it is a medium that demands success, because a failed gag is excruciating, like OK-ish results in other artforms never will be.” – The Guardian