“Perth’s Fringe World, which opens on 15 January, attracted criticism and protests earlier this year over its longstanding sponsorship by fossil fuel giant Woodside. In a bid to head off disruption of next month’s event, the organisers – not-for-profit company Artrage – have included in the festival’s main contract the stipulation that ‘the presenter and the venue operator must use its best endeavours to not do any act or omit to do any act that would prejudice any of Fringe World’s sponsorship arrangements’. … [Performers] said the clause effectively amounted to a gag order, curtailing comment on anything from climate change to local politics.” – The Guardian
Author: Matthew Westphal
Queering The Christmas Pantomime
“Madre Goose tells the story of an LGBTQ+ community of activists rallying against gentrification and materialism. All the wacky costumes, silly characters and daft jokes are as you’d expect from panto, but it has punk songs, psychedelic green-screen backgrounds and embraces inclusivity.” – The Guardian
‘Burroughs and the Dharma,’ the Real Story
James Grauerholz: “William was not a Buddhist: he never sought or found a “Teacher,” he never took Refuge, and he never undertook any Bodhisattva vows. He did not consider himself a Buddhist, nor — for that matter — did he ever declare himself a follower of any one faith or practice. But he did have an awareness of the essentials of Buddhism, and in his own way, he was affected by bodhidharma.” – Jan Herman
The Problem With Hatchet Job Restaurant Reviews
Ted Gioia: “Why write this way? Why compare tomato soup to totalitarian dictators? It’s fun. And it’s easy. There are no real stakes for describing bad food. For these pugilist reviewers, the worst outcome is a bored reader, and thus the sheer unimportance of the subject sanctions a degree of exuberant cruelty unmatched in any other branch of criticism.” – The New Republic
Ian Jenkins, Archaeologist And Curator Who Oversaw The Elgin Marbles, Dead At 67
“[He] always insisted that the sculptures should, like poetry or music, be thought of as superb pieces of human artistic endeavour, and regretted the role they had come to play in what today is termed contested history. He devoted many hours of research to them, reconstructing their original arrangement. This was harder than might be thought, as only about half survive, and he was quietly pleased … that some of his ideas had been incorporated into the displays at the new Acropolis Museum in Athens.” – The Guardian
How Annabelle Lopez Ochoa Transformed Her Choreography To Adapt To Lockdown
“No choreographer has done more to extend their repertoire during lockdown than Amsterdam-based Annabelle Lopez Ochoa. By the beginning of December, she was about to premiere her eleventh new filmed work using Zoom, and another two have been made digitally to be performed on stage.” – Bachtrack
Virginia Governor Allocates $11 Million To Revamp Richmond’s Monument Avenue
“Virginia Governor Ralph Northam wants to redesign Monument Avenue, a promenade in the capital city of Richmond lined with shrines to Confederate generals” — four of which were removed as a result of Black Lives Matter demonstrations this past summer, while the fifth, of Robert E. Lee, has been covered with protest art — “and he’s tasked the Virginia Museum of Fine Arts with the job.” – Artnet
At Least One Ballet Company Can Do A Live ‘Nutcracker’ This Year — Outdoors, Under Palm Trees
Gia Kourlas reports on how Miami City Ballet took its version of George Balanchine’s staging — given a tropical look for the company three years ago — and reshaped it for outdoor performance, with costume tweaks and new projections. – The New York Times
Spotify To Stream NPR Podcasts Internationally
“The streaming-audio company inked a deal with NPR to distribute 26 podcasts — including NPR News Hour, Planet Money, Car Talk and Wait Wait… Don’t Tell Me! — outside the U.S. A few NPR shows that are available on Spotify U.S. aren’t part of the international-distribution pact, including most notably Fresh Air hosted by Terry Gross.” – Variety
America’s First Fully-Staged Indoor Opera Performances Since COVID Arrived Are This Weekend
Opera Orlando is presenting Die Fledermaus on Thursday and Saturday (Dec. 17 and 19) at its regular home, the Walt Disney Theater at the Dr. Phillips Center for the Performing Arts. These days, that’s news. (Socially distanced seating and other safety measures will be in effect.) – Orlando Weekly