Blog

2020’s Best Visual Art

Andrea Scott: “For months, looking at art became staring at screens, and a new three-letter acronym entered the lexicon: O.V.R., for “online viewing room.” If that sounds like an enticement to see artists envision new forms with digital means, downgrade your expectations to “slideshow.” Still, the art world has been luckier than other cultural sectors of New York City.” – The New Yorker

We Eat Ourselves To Change (?)

Leon Wieseltier: “Everything will be different: this is a ubiquitous sentiment. In all our upheavals — social and epidemiological — so much seems to be wrong and so much seems to be slipping away that one may be forgiven for enjoying a fantasy of total change. All these horrors, all these outrages, all these marches, and the world stays the same? So the first thing that needs to be said in the effort to keep our heads is that everything never changes.” – Liberties Journal

Using High Tech To Preserve Imagery Of India’s Ancient Cave Paintings

In the 1990s, art historian Benoy Behl developed his own low-light photography techniques to capture the famous Buddhist murals in the Ajanta caves. Since then, he’s been using digital technology to correct for the deterioration that time and the breath of visitors have caused in the paintings, so that we can see their imagery in something like its original state. – South China Morning Post (Hong Kong)

Remembering The Arts And Culture Figures Who Passed In 2020

From Olivia de Havilland to Diana Rigg to Ann Reinking; from Kirk Douglas to Sean Connery to Chadwick Boseman; from Elizabeth Wurtzel to Jan Morris to John le Carré; from Vera Lynn to Kenny Rogers to Little Richard; from Terrence McNally to Larry Kramer; from Krzysztof Penderecki to Ennio Morricone; from Julian Bream to Leon Fleisher to Ida Haendel to Ivry Gitlis; from Christo to Luchida Hurtado; and from Sumner Redstone to Alex Trebek. (Click here for a more complete, bulleted list sorted by month.) – BBC

How The Millennial Generation Burned Out

According to Anne Petersen, the main difference between millennials and the rest of the precariat is that we once had such great expectations. Molded in the mythos of meritocracy, our generation was raised to believe that we could beat bad circumstances and secure personal stability — if we simply worked hard enough. This happy ending has not materialized for most of us, and there has been extensive emotional fallout. – Los Angeles Review of Books