Category: AJBlogs

Mrs. T survived her double-lung transplant surgery and has been moved to the cardio-thoracic ICU. As her surgeon put it, “We’re not out of the woods yet, but we’re moving in the right direction.” – Terry Teachout

In one, concentrating on songs with winter themes, she is accompanied by a distinguished European quartet. A second album finds her alone with the harmonically resourceful and swinging Chicago guitarist Andy Brown. – Doug Ramsey

Alla Kovgan’s new film Cunningham not only shoots its dancers in three dimensions, but collages historic, two-dimensional black-and-white images in smaller sizes on the screen, often overlaid with print. This practice allows us to choose (or stumble upon) those visions most meaningful to us, or to accept multiplicity and not worry about what we didn’t see. – Deborah Jowitt

Books continue to be written about what it was like to live in Germany under Hitler. I wonder if any of the authors have auditioned Wilhelm Furtwängler’s wartime broadcasts with the Berlin Philharmonic. They should. – Joseph Horowitz

The English National Opera is having a tough old time, but the company is still capable of both daring and successful ventures, such as the new Luisa Miller, a Verdi rarity last staged in London in 1858. – Paul Levy

Tobi was among the first group of writers I invited to blog on ArtsJournal. I had read her for years and appreciated her elegance, clarity and erudition. Though her judgments were crisp, they were never made lightly. She knew the art deeply and it informed her judgments. – Douglas McLennan

Alongside the the wonderful, illuminating dance criticism she wrote for decades, she wrote wonderfully well about fashion, and only when I became a mother did I realize that while Tobi was raising her offspring, she was writing dozens of children’s books. – Deborah Jowitt

There’s something a bit ho-hum, mean and pinched about the reception of Sir Tom Stoppard’s new (and, he says, perhaps final play), Leopoldstadt. – Paul Levy

The late Donald Marron was a class act, so it struck me as fitting (not to mention smart) that his estate’s holdings of modern and contemporary art are not going to be hocked on the block at Sotheby’s or Christie’s — the usual fate of large collections that are put on the market. – Lee Rosenbaum

When I think about the works by the brilliant Belgium-based choreographer Anne Teresa De Keersmaeker that I’ve seen over the years, I realize how the different New York spaces in which they were performed affected not just my eyesight, but my feelings. – Deborah Jowitt