Maybe The Ka-Nefer-Nefer Dispute Isn’t Over
AJBlog: Real Clear Arts | Published 2014-06-24
From Jeffrey Nytch: Entrepreneurial transformation (1)
AJBlog: Sandow | Published 2014-06-24
Another Great Job Opens Up — In London
AJBlog: Real Clear Arts | Published 2014-06-24
Why The Morgan’s Roger Wieck Is A Surprising Proselytizer
AJBlog: Real Clear Arts | Published 2014-06-23
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Why The Morgan’s Roger Wieck Is A Surprising Proselytizer
AJBlog: Real Clear Arts | Published 2014-06-23
Dynamic pricing at the zoo
AJBlog: For What it’s Worth | Published 2014-06-20
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Another Nazi Loot Case: Discovered, Resolved
AJBlog: Real Clear Arts | Published 2014-06-20
On Horace Silver
AJBlog: RiffTides | Published 2014-06-20
A Dissent on “The Classical Style”
AJBlog: CultureCrash | Published 2014-06-19
Aaron Sachs & Jimmy Scott, Gone
AJBlog: RiffTides | Published 2014-06-19
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The Young and the Restless: Taking the Right Career Path
AJBlog: Field Notes | Published 2014-06-18
Earmarked taxes for the arts
AJBlog: For What it’s Worth | Published 2014-06-18
Damning DAM: AAMD Sanctimoniously Sanctions the Delaware Art Museum
AJBlog: CultureGrrl | Published 2014-06-18
Public Art: The Video And The Cathedral
AJBlog: Real Clear Arts | Published 2014-06-19
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What’s Left Unsaid About the Delaware Deaccession
AJBlog: Real Clear Arts | Published 2014-06-18
Come down from the mountain
AJBlog: Sandow | Published 2014-06-18
How Western Opera Came to China
AJBlog: The Great Flourishing | Published 2014-06-18
From Ashes to True Love
AJBlog: Dancebeat | Published 2014-06-17
Taking Stock of the Ojai Music Festival
AJBlog: CultureCrash | Published 2014-06-17
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Foggy Weather At The Glass House
AJBlog: Real Clear Arts | Published 2014-06-17
The Conference Panel’s Prayer
AJBlog: The Artful Manager | Published 2014-06-16
PAMM in Miami: Where did the building go? Where is the public art?
AJBlog: Aesthetic Grounds | Published 2014-06-17
Just because: James Earl Jones in Fences
AJBlog: About Last Night | Published 2014-06-16
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On cultural pessimism
AJBlog: For What it’s Worth | Published 2014-06-16
A Museum Where “Beauty Reigns”
AJBlog: Real Clear Arts | Published 2014-06-16
Diary of an Image
AJBlog: Dancebeat | Published 2014-06-15
The Charm of Impossibilities
AJBlog: PostClassic | Published 2014-06-14
Museum-Going: Getting Even More Virtual
AJBlog: Real Clear Arts | Published 2014-06-13
Museum-Going: Getting Even More Virtual
AJBlog: Real Clear Arts | Published 2014-06-13
Christopher Rouse: New music for existential terror
AJBlog: Condemned to Music | Published 2014-06-13
Frick Expansion Bonus: Opening the Upstairs Rooms
AJBlog: CultureGrrl | Published 2014-06-12
David Harding: The World’s First Town Artist
AJBlog: Aesthetic Grounds | Published 2014-06-12
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What if Music Streaming Collapses?
AJBlog: CultureCrash | Published 2014-06-11
Beaux Arts on Botox: The Frick Collection’s Planned Expansion
AJBlog: CultureGrrl | Published 2014-06-11
Making the old new (3)
More on ornamentation — returning to the way musicians once ornamented and otherwise changed the music they performed — as a way of making old classical music sound contemporary.
AJBlog: Sandow | Published 2014-06-11
VMFA Poached For Another Top Job
AJBlog: Real Clear Arts | Published 2014-06-11
Hail visionary Charles Gayle (from The Wire, 1994)
AJBlog: Jazz Beyond Jazz | Published 2014-06-11
Develop Allies
AJBlog: Engaging Matters | Published 2014-06-11
Rafael Frühbeck de Burgos: A gentleman and an artist
AJBlog: Condemned to Music | Published 2014-06-11
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All-in-All, A Good Plan at the Frick
AJBlog: Real Clear Arts | Published 2014-06-10
Moscow Shadows And Igor Butman
AJBlog: RiffTides | Published 2014-06-10
Opera: black tie and picnic, circus or seminar?
AJBlog: Plain English | Published 2014-06-10
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