Propwatch: the telephone in ‘Present Laughter’

Did you see that video of two teenagers baffled by a dial phone? Nothing is guaranteed to make you feel jurassic like watching the routine technology of your childhood appear irrefutably foreign. But cometh the play, cometh the phone. The defining prop, sound effect and plot device of Present Laughter, Noel Coward’s 1942 comedy of vanity, is an ink-black dial phone. – David Jays

How to Attract Visitors to an “Esoteric” Exhibit

We’ve all seen museums do a lot of odd things in recent years in attempts to draw people into their galleries – cat video contests, crowdsourcing curatorial decisions, and so on. Some may have “worked,” in the sense that they did attract visitors – but generally only for the one exhibit or particular gesture of outreach. Instead, the Getty, with Book of Beasts, generally took the high road. No dumbing down, no “unicorn days,” no silly contests. – Judith H. Dobrzynski

Bravo De Salvo! Unpacking Donna’s Sudden Exit from the Whitney Museum’s Deputy Directorship

With less than two weeks’ notice, the Whitney Museum has announced that Donna De Salvo “has decided to leave” the museum where she served with great distinction for the past 15 years, in order to “pursue other interests.” Adding to the mystery of why this news was sprung on us so precipitously, Adam Weinberg, the Whitney’s director, enigmatically commented: “We wish her the best as she embarks on the next phase of her career.” – Lee Rosenbaum

Shades of Meaning

At the CircuitWest Showcase in Perth, Australia, I discussed with artists, producers, and presenters the issues around community engagement in a state (Western Australia) where, outside the capital, the cities and towns are small and far from each other, and the visits from touring artists are necessarily brief. – Doug Borwick