“There is simply a lack of awareness of the need and a misunderstanding of the public benefit that could result from reaching out to this population, not to mention the financial benefit that might be gleaned from this untapped market. But fiscal considerations aside, there is simply no good reason why a person with a physical disability must also be culturally disadvantaged.” – Equal Entry
Category: AUDIENCE
Despite New COVID Outbreak, Sydney Goes Ahead With Indoor Performances
What’s more, at two of the major ones — Rent and The Merry Widow at the Sydney Opera House — masks will not be mandatory. Audiences will be at 75% of capacity, with checkerboard seating and other distancing measures; masks are “strongly recommended.” Rules are similar for the presentations at the Sydney Festival’s main outdoor stage. Most other theatre companies in the city are performing as well, though they’re making the audience mask up. – The Guardian
Bollywood Depended Even More On Ticket Income Than Hollywood Did. Here’s How India’s Finally Embracing Direct-To-Streaming.
The fallout from the pandemic reduced box office grosses by about 75%, “making it easier for streaming services to land new movies, even with some theaters reopened. … The investments by streaming services in Bollywood content have also led to a surge of creativity. Instead of the usual romantic or action-hero films with all-star casts, more shows and movies are now centered on women, war and other topics.” – The New York Times
How TV Fundamentally Changed in 2020
2020 wasn’t just about bigger numbers for the streaming industry. We also got to see an acceleration of cord cutting as viewers migrated by the millions from legacy cable; a shift in power as device-makers emerged as the new gatekeepers; and the erosion of long-established theatrical release windows. – Protocol
The Moments Of Theatre That Offered Comfort, Aid, Glimmers Of Light
“Needless to say, 2020 didn’t exactly go as planned.” But actors, directors, playwrights, sound producers, lighting designers, and stage directors came through just as much as they possibly could. – Playbill
How The Vienna Philharmonic Has Pushed Through The Pandemic
They went on a tour of Japan last month; since they got home, they’ve started a Bruckner symphony cycle under Christian Thielemann and played Strauss and Webern program under Zubin Mehta. Chairman Daniel Froschauer and general manager Michael Bladerer talk with a reporter about the orchestra’s commitment to playing together live and why it’s important. – The New York Times
New “Wonder Woman” Flops At the International Box Office
After months of delays, “Wonder Woman 1984” finally hit theaters over the weekend in 32 international markets. But the movie floundered at the box office. The Warner Bros. sequel earned just $38.5 million internationally over the weekend ahead of its debut in the US on Friday, when it will play in theaters and stream on HBO Max simultaneously. – Business Insider
Gamer Awards Show Draws Monster Ratings
The 2020 telecast, staged this month from a Hollywood soundstage as well as dozens of remote locations, pulled in more than 83 million livestreams, falling just a bit shy of doubling last year’s 45.2 million livestreams, which was itself a sharp increase from the 11.5 million the ceremony garnered in 2017. – Los Angeles Times
Can Dudamel’s New Virtual Reality Film Make The Young’uns Think Orchestral Music Is Cool?
“The film” — titled Symphony in Madrid — “is split into two, 12-minute sections. The first, shown on a giant screen, follows three young musicians in Spain, the US and Colombia as they practise their instruments and move through landscapes and soundscapes that range from the Mediterranean coast to the streets of New York and a coffee farm on a tropical mountainside. For the second, visitors are invited into the other trailer, given a virtual reality headset and headphones, and urged to take leave of their senses.” – The Guardian
2020 Is The Year TikTok Started Transforming The World
“Now, at the end of 2020, TikTok is the most downloaded app of the year – and it’s changed an awful lot more than just how we consume media online.” Among other things, the app and the brief little videos on it have altered the way online comedy, activism, meme culture, and collaborative art. – BBC