How The Museum Visitor Experience Has Been Transformed

“In plain terms, across the field, in museums, art institutions, performance forums, and even historical societies, the visitor’s experience is now being personalized. This means that not only is the visit marked by enhanced, interactive, and “dialogic” engagement, but also there is an institutional recognition of the visitor as an independent maker of meaning who uses the museum in a variety of ways to fulfill particular, individual needs and desires.”

Making the Most of Stakeholder Revolt: The Recapturing of San Diego Opera and Sweet Briar College

The two cases turn out to be quite similar: shutdowns announced seemingly out of the blue and with little consultation; institutions, with challenges but no immediate financial crisis, in fields (opera, single-sex colleges) with lots of doomsayers. Here’s a look at four key factors in how these cases shook out.

Facebook Nudity Day (That’ll Show The Censors)

The Jan. 14 protest “call[ed] for Facebook users to post an artwork depicting the naked body to protest the social media website’s ‘continuing censorship of artists, curators and critics who have been censored for posting art and images that depict the nude human body.'” And they did – “from Egon Schiele’s painting of himself masturbating and a phallic photograph by Robert Mapplethorpe to Japanese erotic prints and the accursed Courbet.”