Why Al Jazeera America Was Destined to Fail

“But if Al Jazeera America’s brand was a handicap, its philosophy was a death sentence. The channel was founded on the utterly ill-conceived idea that Americans were starving for sober, ‘unbiased’ hard news coverage. In other words, it made the mistake of offering viewers the programming they claimed to want, instead of the programming that all available evidence suggests they actually enjoy.”

How Do You Get Millennials To Come Party At Your Museum *And* Stay True To Your Mission? Here’s How

“In recent weeks, the postings on Craigslist have taken on a desperate tone: ‘Looking for two tickets for … Jan 12th. Willing to negotiate price.’ … These hot tickets were for, of all places, the Franklin Institute – more specifically, Science After Hours, the museum’s monthly, no-kids-allowed science rave.”

Just How Does This Jazz Festival Regularly Attract 100s Of Thousands Of Screaming Young Fans?

Now in its 12th year, the Jarasum Jazz Festival regularly draws between 200,000 and 250,000 people over three days. Jarasum estimates that 88 percent of its 2015 audience was under age 40. To put this demographic in perspective, the numbers are basically flipped at the Newport Jazz Festival, where a 2012 survey found that 82 percent of its audience is over age 45.

Does Theatre Need To Have Some Clarity, Or Is Hanging Out, Confused But Together, Cool?

“We were ushered into the New Ohio Theatre, where the seats had been replaced by red felt mats, and we lay down for an hour, while the sun (or moon) before us turned from red to orange to silver to white and back again, and the sound track offered the sound of crickets, and waves, and the occasional folk song, and perhaps the distant yelps of a dingo. It was a lovely rest period, more pleasant and certainly longer than any I spent in kindergarten.”

Immersive Interactive Theatre Is Taking Over. What’s A Passive Person To Do?

“So I am not the natural ticket buyer for the immersive and participatory theater that is taking hold in the city as art forms bleed together, companies experiment with different storytelling approaches, and people clamor for more active artistic experiences. Is the passive audience dead (in more ways than one), you begin to wonder?”

Why Do We Watch/Read/Listen To Some Things Over And Over Again?

The most obvious reason is something called the “mere-exposure effect.” Quite simply, people prefer things they’ve previously been exposed to. The effect makes sense from an evolutionary point of view: If we’ve been through a door 100 times and know what’s behind it, we no longer have to worry that a predator is waiting beyond the threshold. But how does this relate to re-consumption of media?