Prediction: A New Industrial Revolution Will Transform Our Culture

“White-collar service industries are currently witnessing a huge increase in automation. Artificial intelligence, analytics and voice-recognition technologies are taking over more and more tasks employees used to do. Retailing is another example: we’re moving from physical to virtual retailing. Even lawyers, accountants or radiologists are afraid of the prospect of losing their job to a machine or algorithm.”

Should The NYPD Be Deciding When Busking Counts As Art And When As Begging?

“Recently, a busking video went viral. In it a police officer, armed with a gun and club, passed judgment on a busker, who protested by reading out the law covering art in public. He got a loitering charge. Boos are bad, hisses worse and an audience unsatisfied enough to pelt is humiliating. But a criminal record? Does society want such severity?”

Concertgoers Start Yelling At Each Other Over When (Not) To Applaud

“The moment of shame came as the Staatskapelle Dresden, one of the world’s best orchestras, opened the 43rd Hong Kong Arts Festival with a performance of Richard Strauss’ Metamorphosen. … But just as the 20-minute masterpiece faded out into intense C minor chords, an audience member began to clap.” And then – well, not all hell, but some hell broke loose.

Why Can’t Art Just Be Art?

“Cultural institutions once saw it as their priority to cultivate, preserve and display the best of the arts. Their unique contribution was to cultivate culture in the public sphere, for anyone to enjoy, by developing public understanding of the arts and sciences that have shaped the world we live in today. Through providing access to their collections and archives, they offered inspiration to, and sometimes platforms for, writers, painters, dramatists, architects, and many more.
Now they are desperate to be seen as inclusive, non-elitist public spaces.”

Here’s Why American Musical Theatre Has Slipped From The Mainstream

“Now that Broadway-minded songwriters no longer have a universal musical language on which to draw, it isn’t possible to write a show with genuine broad-gauge audience appeal. It says everything about the desperate state of the American musical that the last theatrical song to become an enduringly popular hit, Stephen Sondheim’s “Send in the Clowns,” was written in 1973.”