The Next Stage For Interpretive Dance: The Disney Parade

So of course there are floats and princesses and the requisite Disney Doing Disney Things going on with the Magic Happens parade, but: “The stars of Magic Happens are the dancers, significantly elevated from their traditional role revving up the crowd with upbeat moves between set pieces. The 90-or-so performers are graced with heavily theatrical choreography, which at times borders on interpretive dance. In turn, Magic Happens possesses a keen awareness of dance as a language.” – Los Angeles Times

In One Of The Most Expensive Cities In The World, Ballet School Decides To Offer Room, Board

The San Francisco Ballet School is facing an unpleasant reality for its dancers – and (finally, say some) changing up the way it operates. “For the San Francisco Ballet to operate both a school and a full-service dorm — with plans for healthy food service and in-residence physical therapy to meet the needs of dancers — might set a new standard.” – San Francisco Chronicle

How Do Political Candidates Do When Their Usually Bad Dance Moves Go Viral?

Well, Tom Steyer did drop out after the South Carolina primaries, but it will be hard to forget what happened onstage the night before: “At a Friday night rally at historically black Allen University in Columbia, Steyer was joined onstage by Juvenile for a rendition of the rapper’s 1999 hit, ‘Back That AzzUp.’ Though the candidate did wield a mic, he largely left the verses to the pro (Steyer’s wife and daughter served as backup dancers). Footage of the spectacle was suddenly everywhere, in tweets, retweets, social media and news stories.” – Los Angeles Times

Dance Student Sues School For Making Her Lift Too Heavy A Partner

Charlotte Vanweersch alleges that the Northern School of Contemporary Dance in Leeds hadn’t taught her how to properly lift a partner as heavy as the one she was assigned for a “throwing and lifting” routine and that she suffered serious shoulder and neck injuries as a result. She is asking the court to award her up to £500,000 in damages. – The Times (UK)

The New Choreography For ‘West Side Story’ Misses What Made Jerome Robbins’s Dances So Essential, Says NY Times Dance Critic

“That’s because what Robbins created wasn’t just a series of dances, however peerless, but an overarching view of how, beyond anything else, movement could tell a story,” writes Gia Kourlas. Anne Teresa De Keersmaeker’s choreography for Ivo van Hove’s new Broadway staging “is part of a larger vision that renders it extraneous or, worse, inconsequential.” – The New York Times

How To Make Historical Ballet Relevant

Exploring the context in which the ballets arose offers insight into their complexity, and helps us question contemporary assumptions about the choreography, librettos, and music that have survived. By pairing imagination with historical awareness, we can rediscover the experiential aspects of dance and music and gain insight into these arts as we practice them today. – San Francisco Classical Voice

The Real Problem With That Open Letter Supporting The Fired Lyon Ballet Director Wasn’t Who Did Or Didn’t Agree To Sign It

“Unthinkingly defending one’s powerful friends has real-life consequences. What [illegally fired dancer Karline] Marion, and other dancers who may find themselves in a similar situation, will take away from this letter is that there is no winning against a well-connected director. Even if you gather the necessary evidence, play by the rules, and wait, the people you most admire may still call you crazy and obfuscate.” – Dance Magazine

At The Shanghai Ballet Company, Dancers Are Practicing In Masks

The dancers, including lead dancer Wu Husheng, aren’t finding it easy to train and rehearse with masks on. “Wu, 33, says he can normally train for an hour at a time, but he feels breathless in just 20 minutes with the mask on.” The dancers have seen more than 30 of their performances, especially abroad, canceled, and some dancers can’t get out of quarantines to return to Shanghai. – Reuters