Ballet Philippines Appoints Foreign Artistic Director; People Flip Out

As the company’s founding artistic director, Alice Reyes, retires after 50 years, its board of directors selected as her successor Mikhail Martynyuk, a star of the Kremlin Ballet in Moscow. Many of the dancers and other members of Manila’s dance community are objecting to the appointment; they say they’re upset about a rushed timeline and lack of consultation, but the petition now circulating calls on the board “to rescind or revise the contract offered to a Russian artist … and to keep the position of Artistic Director Filipino.” – BusinessWorld (Manila)

Living At The Intersection Of Dance, Social Media, And Teenage Life

Who profits when a 14-year-old Black teenager creates a dance and shares it – and it goes viral? Not she.”TikTok, one of the biggest video apps in the world, has become synonymous with dance culture. Yet many of its most popular dances, including the Renegade, Holy Moly Donut Shop, the Mmmxneil and Cookie Shop have come from young black creators on myriad smaller apps.” – The New York Times

Gibney Dance Reinvents From The Inside Out

Gibney is becoming a commission-based repertory group—that is, a company not grounded in the aesthetic of a founding choreographer—and allow it to double in size from six dancers to 12. The model will allow Gibney to work with renowned and rising international choreographers representing a broad range of aesthetics and techniques. “The stage is set,” Davis said, for Gibney “to establish a wholly new paradigm for a contemporary dance company.” – Inside Philanthropy

Wayne McGregor Is Choreographing A Margaret Atwood Ballet

In a joint project for the Royal Ballet of Great Britain and the National Ballet of Canada, McGregor will create MaddAddam, a three-act work based on Atwood’s trilogy Oryx and Crake, The Year of the Flood and MaddAddam with a new score by Max Richter. The world premiere will be this coming November in Toronto, with London performances in 2022. – The Guardian

Making The Leap From Dance Student To Professional Less Daunting

“For generations, dancers have been thrust into professional life at a young age without much preparation or tools, sinking or swimming on their limited industry know-how. Today, some independent programs are presenting unique models that bridge the gap between student and professional life through networking, performance opportunities and more.” Haley Hilton surveys those programs. – Dance Magazine

Carlos Acosta’s Big Plans For Birmingham Ballet

The new artistic director says: “I want the level of the dancers to be raised dramatically, and the repertoire I’m bringing is crucial. I want a company that is strong, that is not predictable, that is energetic, that takes risks, but stays true to tradition at the highest level. I’m up for big crazy ideas. I’m never going to say no to anything that’s new and bold.” – The Guardian