A decade long study at The Australian Ballet has delivered some surprising results as to what works in stretching and what is actually damaging to the body and increasing the risk of injury. This statement to ‘not stretch’ is proving highly controversial to what has been seen as ‘common practice’ in dance studios globally for generations. – Dance Informa
Category: dance
A Deaf, Mixed-Race Dancer Finds Her Dream Role In ‘For Colored Girls …’
Ntozake Shange didn’t write the role of the Lady in Purple in her “choreopoem” for a deaf performer, but she happily approved casting Alexandria Wailes in the current New York revival. Gia Kourlas talks with Wailes about integrating American Sign Language with choreographed movement and how dancing has helped her communicate all her life. – The New York Times
Let’s All Just Stop Talking About Sergei Polunin For A While, Okay?
After all, argues Courtney Escoyne (reacting to news of a second Polunin documentary), it only encourages him. “I’m not sure that it matters what stance this documentary takes. It’s yet another vehicle for him to receive exactly what he wants: attention. At this point, that’s not something I believe we owe him.” – Dance Magazine
GoFundMe Isn’t Just For Health Care Or Funerals In The U.S., But Also For Ballet Costumes
That’s right, the Colorado Ballet has turned to crowdfunding to get new Nutcracker costumes; the old ones were created for the San Francisco Ballet in 1986, and Colorado Ballet bought them in 2005. “For years, the team has done what it can to try to maintain the set and costumes, using vodka to try to extract the sweat from the costumes and glue and tape to keep some of the props together.” – Denver7
‘She Walks Like A Bird, But That Bird Is A Duck’ — Loie Fuller, The Unlikely Dance Superstar Of Fin-De-Siècle Paris
Offstage, she was a dumpy little frump of a Midwestern girl who lived openly with her mother and her female lover. Onstage, she was “la fée éléctricité,” who manipulated with sewn-in rods a gown made of massive lengths of white silk to create natural images and fantastical shapes under rotating colored spotlights — an act that made her a huge celebrity for decades. – The Public Domain Review
Ballet Helps Veteran Recover From PTSD
“‘Keep your fingers straight and off the trigger. Do not point the rifle at anyone you do not intend to shoot.’ That’s Roman Baca, a U.S. marine and Iraq War veteran. But he’s not speaking to the company of soldiers he led during his tour as a sergeant in Fallujah, Iraq. Here, Baca is instructing a company of ballet dancers” in the documentary short Exit 12: Moved by War. (video) – The Atlantic
The ‘Mattress Monster’: Yvonne Rainer Recreates One Of Her Oddest Avant-Garde Dances From The 1960s
“It could be a dream or a nightmare. You’re 84. What would it be like to have an artistic conversation with your 30-year-old self? [Rainer] is finding that out as she reconstructs, in collaboration with Emily Coates, Parts of Some Sextets, which she created in 1965 for 10 performers and 12 mattresses. A complex braiding of movement, text and, yes, mattresses, it builds an invigorating labyrinth of choreographic activity.” – The New York Times
The Paralyzed Dancer Who Chooses to Dance
“I learned that the dancer inside me doesn’t care about this wheelchair. She just wanted to find a way to keep dancing. I think I’m living the life I was born to live. That was an accident, this is a choice.” WWL-TV (New Orleans)
Why Are There So Many Asian-American Hip-Hop Dance Crews? Community
“In many Asian countries, hip-hop rose to popularity as a form of self-expression and resistance, sometimes in the face of colonialism and oppressive regimes. … But the contemporary boom of Asian Americans in hip-hop seems born out of a different impulse — one of finding belonging and connecting with others who share your unique experience.” – Vice
Dance As Opportunity In The Slums Of Rio
The violence, the hopelessness and the misery in the slums of Rio de Janeiro are all a direct result of the lack of guidance, role models or future prospects — except drug trafficking — for young people. That’s why the 31-year-old Daiana began offering young girls an alternative: a ballet school in the favela. – Der Spiegel