Category: dance

Fair enough. The teen, and other dancers, keep their routines going during the pandemic, as well as they can. The high school senior: “I want to inspire people. I wish for people to be moved and left with a sense of pride and joy when they watch me. … That’s all I’ve ever dreamed of really, on the stage or in the street. I want people to look at me and feel inspired.” – Greenville (South Carolina) News

That is, if you’re willing to watch on-screen. Collected here are well over 30 options for watching The Nutcracker, or some version of it, this holiday season, from ballet companies across the United States. – Playbill

“While works of dance clearly are eligible for copyright protection under Section 102(a)(4) of the Copyright Act, determining which dances meet the standard — and which have two left feet — has been tricky and has resulted in a number of high-profile disputes in recent years. However, a recent U.S. Supreme Court ruling in an unrelated copyright dispute may provide important guidance in subsequent dance-related copyright litigation.” – IPWatchdog

Maybe — but, says Dance/NYC’s executive director, “In order for decentralization to be sustained, it must come with intentional investment and organization. … You need cities that invest in the arts as dignified work that should be paid.” – Dance Magazine

Lucy Green is deeply aware of her privilege right now in the world of ballet – to be employed, to be practicing, to be planning for performance, none of it can be taken for granted during a pandemic. When the interviewer asks her which famous people she’d invite for dinner, she keeps it absolutely real: “I’d much rather have dinner with my family and friends who live interstate/overseas and who I haven’t seen all year due to border closures.” – Ballet News

The director of the Royal Ballet, discussing the live-streamed performances: “It’s so important for them to do what they’re trained to do, to be in the studios together, to be rehearsing, and to be performing. It’s their job; it’s their life.” – CNN

A few weeks after the lockdown started back in March, Merritt Moore — who danced with ballet companies in Oslo, London and Boston before getting a Ph.D. in physics from Oxford — hit on the idea of using a robot as a partner for dance training while in isolation. So she ordered an industrial model and started programming it to do 15-second ballets with her for TikTok and Instagram. The pair has since racked up about 15 million views. (And yes, the machine’s name, which was crowdsourced, is Baryshnibot. The runner-up choice was Roboto Bolle.) – Pointe Magazine

“Most full-length classical ballets feature several character dances — troupes of dancing peasants, parades of visiting princesses. Today, those dances are often seen as ‘filler,’ interludes to give the principals a breather between classical variations. But back in the 19th century, … character dances had deep cultural significance. … (Picture a Paris opera house full of cheering crowds, demanding multiple encores after their favorite star performs a knockout mazurka.) How did something that used to be so popular, and once provided critical context, fade from prominence?” Nicole Loeffler-Gladstone gives an overview of the history. – Dance Spirit

From the small operations that give youngsters their first lessons (especially in lower-income areas) to big establishments like the Broadway Dance Center in Manhattan, dance studios, and the skilled pros who run and teach in them, still have to pay the rent and other expenses even as income has plummeted since COVID-19 struck last spring. Here’s how a few of them are trying to avoid closure and keep dance available to their neighborhoods. – The New York Times

“The position has been open since former director Douglas Martin’s departure in 2019. …. Stiefel, a former American Ballet Theatre star with directing, teaching and choreographing experience, [begins next July and] brings major name recognition and international credentials to the New Brunswick, New Jersey–based ARB.” – Pointe Magazine