How ‘Mao’s Last Dancer’ Transformed A Struggling Provincial Company Into A Powerhouse

Li Cunxin, who defected from China in 1981, danced with the Houston and Australian Ballets, retired from the stage in 1999, and became a Melbourne stockbroker. Then, in 2012, came a call from Brisbane. “Seven years [after he became artistic director], Li’s contribution has been dramatic. Queensland Ballet, once a struggling choreographer-led company, has become one of Australia’s most exciting repertoire ensembles … The budget has more than quadrupled, to over $20 million USD, and Li has launched not one but three major construction projects, with world-class headquarters, a theater and a new academy all in progress.” – Pointe Magazine

Dance Class Helps A Child-Turned-Adult Movie Star Feel Normal

Keke Palmer came to fame playing Queen Latifah’s niece, and 17 years later, she’s about to become the host for the third hour of Good Morning America (oh, and she plays a part in the new movie Hustlers as well). How does she relax and stay focused? Dance, of course. “Fame is extremely traumatic,” she says, but dancing helps her find friends and just feel like a normal person in the struggle of a challenging class. – The New York Times

Making Dance Accessible To Blind And Partially Sighted Audiences

“Our ears take in the score, the artists’ breathing patterns, fellow audience members’ reactions, and the physical percussion made by the dancers’ footfalls and partnering. All of this information is available to audience members with limited to no vision, and when it comes to providing them with the rest, there are multiple approaches being refined by experts in the field generally referred to as ‘audience accessibility.'” – Dance Magazine