Why The Dancers’ Union Was Wrong To Push For Amar Ramasar’s And Zachary Catazaro’s Return To New York City Ballet

“In deciding to advocate for these two dancers, AGMA has not only sided with alleged offenders in multiple serious cases of degradation and sexual harassment, but has also sent a clear message to the whole dance community that the redemptive narrative of these male dancers is more important than the trust and safety of their female colleagues.” – Dance Magazine

Many Rank-And-File Dancers Can’t Afford To Eat Properly — So This Organization Feeds Them

“Dancers will forego eating to take classes,” says Yvonne Chow. So, once a month, DanceMart, operated by H+ | The Hip-Hop Dance Conservatory in New York City, will cook and serve a dinner, teach a class in cooking healthy and inexpensive meals, and send them home with a recipe and the groceries to make it. (There’s a party, too.) Any and every kind of dancer is invited. – Dance Magazine

Suzanne Farrell Back At City Ballet – What It Means


Alastair Macaulay: “What makes Ms. Farrell so important? Her place in Balanchine history is central: She inspired him to make some of his most radically modernist works; opened up fresh torrents of Romanticism in him; showed how old roles could be transformed. She combined grandeur, musicality, wit, fervor and acumen to phenomenal degrees.” – The New York Times

The Paradox Of Pointe

Classical ballets present a contemporary challenge: “Ballet, like so much else in our current society, is infused with sexist elements that are also elements of beauty. To tease these apart is impossible and should give us pause to contemplate the mixed nature of art and how hard it is to condemn past inequity and abuse when its codification persists in so much of our cultural expression.” – The Smart Set