Or call them “dramaturges” after the research supporters of the theatre world – or, heck, call them collaborators: “Some choreographers have turned to a more collaborative process, using dance dramaturges to help work through the creation and staging of a dance.” – The Washington Post
Category: dance
How Mavis Staines Started A Ballet Revolution
Today, many of the Staines’ radical ideas — student-led teaching, community outreach, globally relevant ideologies and an emphasis on physical and mental health — are commonplace. And many of Staines’s students, whether they have continued in dance or not, have gone on to preach and evolve her doctrine. – The Globe & Mail
Why The Dancers’ Union Was Wrong To Push For Amar Ramasar’s And Zachary Catazaro’s Return To New York City Ballet
“In deciding to advocate for these two dancers, AGMA has not only sided with alleged offenders in multiple serious cases of degradation and sexual harassment, but has also sent a clear message to the whole dance community that the redemptive narrative of these male dancers is more important than the trust and safety of their female colleagues.” – Dance Magazine
Many Rank-And-File Dancers Can’t Afford To Eat Properly — So This Organization Feeds Them
“Dancers will forego eating to take classes,” says Yvonne Chow. So, once a month, DanceMart, operated by H+ | The Hip-Hop Dance Conservatory in New York City, will cook and serve a dinner, teach a class in cooking healthy and inexpensive meals, and send them home with a recipe and the groceries to make it. (There’s a party, too.) Any and every kind of dancer is invited. – Dance Magazine
Suzanne Farrell Back At City Ballet – What It Means
Alastair Macaulay: “What makes Ms. Farrell so important? Her place in Balanchine history is central: She inspired him to make some of his most radically modernist works; opened up fresh torrents of Romanticism in him; showed how old roles could be transformed. She combined grandeur, musicality, wit, fervor and acumen to phenomenal degrees.” – The New York Times
‘Fancy Free’ Doesn’t Seem So Delightful After #MeToo — Should It Be Retired?
In 2019, the Bernstein-Robbins ballet about three sailors on shore leave looks rather like “a case study in rape culture,” writes Lea Marshall, who took a group of undergraduate dance student to see it. Most of the audience loved it; the students were aghast. Marshall explains why. – Dance Magazine
Why Even Great Social-Media Marketing By Dance Companies Doesn’t Lead Straight To Ticket Sales
“There is no clear correlation between a company’s social media campaigns and how many seats they fill in the theater. That doesn’t mean social media isn’t, of course, vital. … ‘Campaigns without social media are far worse off.'” Here’s why. – Dance Magazine
Youth America Grand Prix Marks Two Decades Of Changing The World’s Opinions
The country – and world – is chock-full of serious ballet competitions now. But “before YAGP was founded 20 years ago, it was a much different story. For bunheads, ‘competition’ was almost a dirty word, one associated with back flips, hulking trophies and flashy jazz studios.” – Pointe Magazine
The Paradox Of Pointe
Classical ballets present a contemporary challenge: “Ballet, like so much else in our current society, is infused with sexist elements that are also elements of beauty. To tease these apart is impossible and should give us pause to contemplate the mixed nature of art and how hard it is to condemn past inequity and abuse when its codification persists in so much of our cultural expression.” – The Smart Set
Arbitrator: NY City Ballet’s Firing Of Two Dancers Was “Wrong And Unjust”
The two principals, Amar Ramasar and Zachary Catazaro had been dismissed for sharing graphic text messages. An independent arbitrator determined that “while the company was justified in disciplining the two men, suspension was the appropriate action and termination took it too far.” The two will be reinstated. – Dance Magazine