Category: ideas

Most of the reasons for the preference in many Asian cultures for sons over daughters have long since passed into irrelevance, but “a strong preference for sons persists, enhanced by technology that increasingly allows parents to realize their desires. Amniocentesis and ultrasound can easily identify the sex of a fetus, and sex-selective abortion has become an everyday practice… Scholars and feminist organizations in both Asia and the West have produced many volumes of often conflicting advice about how to combat the practice. Now two political scientists have joined the fray with an ominous argument: Offspring sex selection could soon lead to war.”

“A quest for the lost island of Atlantis began off the southern shores of Cyprus yesterday. After a decade of intense study an American, Robert Sarmast, claims to have assembled evidence to prove that the fabled island lies a mile deep in the sea between Cyprus and Syria… By August he hopes to have proved that Atlantis was not simply a figment of the imagination but a real empire with stone temples, bridges, canals and roads.” Of course, Sarmast is hardly the first to have claimed that the mythical island exists, and recent claims as to its whereabouts have spanned at least four continents.

Everyone in America knows that the U.S. is currently fighting a war in Iraq, and that American soldiers are dying there on a regular basis. So why the big brouhaha over whether photos showing the flag-draped coffins of the dead are published stateside? Because, says Joanne Ostrow, images of war have always been the most powerful method of swaying public opinion in times of war. “The debate hasn’t changed since Matthew Brady’s 1862 battlefield photos of the Civil War. Printed as etchings in newspapers, they shocked the nation.” The coffin photos, however respectful, have the same capacity to bring the horror of war home in a starkly visible way, at a time when political leadership would prefer that Americans keep a pragmatic outlook.

“We live in a multicultural society now, right? Well, I think we deserve a lot better from it. On the other hand, maybe Trevor Phillips, chairman of the Commission for Racial Equality, is right when he says we should abandon multiculturalism completely. Encourage everyone, immigrants and asylum seekers included, to embrace English culture and history as their own. Perhaps that will help to remove stereotypes for ever. But that brings up a new set of problems. What form of English culture do we all adopt? In fact, what is English culture? I do not know what that is.”

Harvard University, that great American bastion of the high-intensity, ultra-focused education, is apparently ready to lighten up a bit. A 15-month internal study has concluded that the university would benefit from allowing students more time to choose majors, and limiting the set-in-stone class requirements for those majors, so as to encourage a balanced, wide-ranging educational experience. The study also suggests that Harvard students be encouraged to study abroad, and emphasizes the importance of science for all students.

Richard Florida’s Rise of the Creative Class has been taking a lot of hits in the past few months. Now he rebuts his critics: “The Rise of the Creative Class has little to do with making cities yuppie-friendly, though leftist critics have tried to frame it (and belittle its message) in that way. Rather, my core message is that human creativity is the ultimate source of economic growth. Every single person is creative in some way. And to fully tap and harness that creativity we must be tolerant, diverse, and inclusive.”

As Europe’s countries tie themselves closer, one wonders about what ties them together culturally. “The union’s old and new members alike know surprisingly little about one another’s artistic inventiveness today. Creative life may be flourishing in widely different ways across Europe, but the most common cultural link across the region now is a devotion to American popular culture in the form of movies, television and music. In a Europe committed to seeking ‘ever closer union,’ where a dozen countries already share a currency, culture seems to have fallen out of step. Even as Europeans visit one another’s cities and beaches more than ever, national self-obsessions prevail in the visual arts, new plays, literature, contemporary classical music, pop music and movies.”

You hear it everywhere – we’re getting older, and society will be the worse for it. “Even as we reap the benefits of longevity and vitality, we are becoming more anxious about the social and economic effects of ageing upon society. Demographics has turned from a peripheral issue into a major source of concern. We are told we need to confront some pretty big questions. Can society cope with having so many more old people? Can we really afford our future? But just because the mood of social pessimism is so ubiquitous does not mean we should simply accept it.”

What programs do BBC viewers most value? “High quality news topped the list of ‘public service’ programming – 70 percent of respondents said it was important for society and to them personally. Then came sport, drama and, perhaps surprisingly, soaps. Viewers said they valued them because they dealt with current social and health issues in an engaging way. Right at the bottom came arts and religious programmes – fewer than 10 percent thought these were of particular value to society.”

Sure, there’s the obvious connection between art and money, writes Thomas Crow. But art also “has its business in the world, in how a society functions and sees itself. As works of circulate from creator to patron, from dealer to collector, from private interior to public gallery, the transactions can be as much about sheltering the emotional, cultural and intellectual value of art as they are about money, even as prices climb and currency changes hands.”