THE NEW CRITICS

“After more than a century of professional literary criticism, when the erudite few lorded over discussions of artistic merit, the rules have changed. Thanks to the Internet, anybody can now join ongoing – and very public – evaluations of books, recordings, films and many other materials, with a potential audience of millions of readers. – Washington Post 10/15/00

ART OF BUILDING

“During the past decade, new American performing arts facilities have been popping up like mushrooms after a rain, but architecturally they’ve been a pusillanimous lot. When not actively nostalgic, as in Fort Worth’s Bass Performance Hall, they’ve tended to favor a kind of buttoned-down corporate look, as in Seattle’s Benaroya Hall, or shopping-mall lite, as in Fort Lauderdale’s Broward Center and West Palm Beach’s Kravis Center.” – Dallas Morning News 10/15/00

THE WAR IS OVER?

Eight years ago Pat Buchanan was calling a “cultural war” in the United States. But this presidential campaign “the blistering cultural issues of the early ’90s – federal funding of the arts, naughty pictures, tart-tongued, disrobed performers – are on today’s back burners. The anti-arts, far-right-wing Buchanan voice lost. They thought it would be easy, the elimination of the National Endowment for the Arts based on arguments of pornography and blasphemy. And they lost.” – Philadelphia Inquirer 10/15/00

SHOCK OF THE SAME OLD SAME OLD

A new book charges that the contemporary art world has become far too narrow-minded. “Shock art is the safest kind of art that an artist can go into the business of making today. The real mavericks of our time have been working quietly and carefully for years in their studios producing wonderful work few people have seen. And that even though the NEA is not the cause of the various ills we’ve seen, it is to a great degree an embodiment of the problem.” – Salon 10/12/00

SOME COMMITMENT TO THE ARTS

Boston’s mayor likes to boast of his commitment to the arts. But a new report suggests that Boston’s Office of Cultural Affairs is in disarray. Last month a request for a three-year grant to the Boston Office of Cultural Affairs from the state was rejected by a panel. The city was further embarrassed when the state panel gave the Boston agency the lowest rating of all 36 applications by arts organizations across the state. – Boston Herald 10/11/00