Can Arts Groups Successfully Charge Viewers For Online Content? And How Much?

“The wave of free content [put online during the COVID lockdown] was a generous gesture with some lasting side effects – not least of which is the emergence of a price anchor, an expectation that digital culture is somehow free to produce and therefore free to watch. This will take some time to shake off.” Here’s an analysis – with some surprises, both happy and worrisome – of data from a recent survey of more than 130,000 regular arts attenders in the UK. – Arts Professional

A Non-Profit Strategy For Raising Money In A Pandemic

When nonprofits are under-resourced, their natural response is to turn to their donors. But is it realistic to expect a healthy stream of charitable contributions in the midst of the worst economic situation since the Great Depression? Absolutely — if you approach the right people. Because even as unemployment soars, as tens of thousands of businesses close, and as default and eviction rates rise, a small but significant portion of the population is doing just fine, thank you. – Harvard Business Review

Arts Groups Could Finally Get Insurance Companies To Pay COVID Claims Following UK High Court Ruling

“Many companies whose revenues have been severely hit by the COVID-19 pandemic have been disappointed when told by their insurers that the very add-on policies that they thought would protect them in such instances do not apply in the case of havoc wreaked by a previously unknown virus. So the [Financial Conduct Authority] stepped in on their behalf to clarify the situation, examining 21 sample wordings from policies. The High Court ruling largely found in favour of the FCA.” – The Art Newspaper

The Role Of The Arts Going Forward

Josephine Ramirez: “Those of us who work in arts and culture are primary caretakers of an absolutely essential public value. We have a crucial role as facilitators, creators, nurturers, promoters and producers of arts experiences — ones that connect people, address their emotions and stories, ignite precious human imagination and deepen our ability to understand others unlike ourselves. The past months have also reinforced my belief that the arts field must evolve so we can deliver impactful experiences and processes that strengthen society. Evolving towards this end means
rethinking and retooling so we can more fully support emotional, psychological and intellectual health.” – KCET

What The Arts Can Learn From The NBA’s Bubble

The NBA used theatricality to replicate the essence of a live game — fans cheering, sound effects, music — and gave viewers the opportunity to be visible to both the players and to themselves in the live performance space. As performing arts venues make decisions about the future, creating hybrid events that include virtual presence and audience recognition will be important for developing investment in their work. – The Conversation

Time To Stop Apologizing For Online Performances And Start Turning Them Into A New Genre

Peter Dobrin: “We should think of this as a research-and-development phase long overdue. Online performances won’t sink or swim based on how well they replicate live ones. … More important … is the question of whether a new breed of production designers and directors can give viewer-listeners something different from live performance.” – The Philadelphia Inquirer

Richard Florida: We Need To Save Our Arts Infrastructure

We cannot allow this piece of our social and economic infrastructure to fall apart. Our creative economy of arts, culture, design and entertainment is no mere luxury. It is one of the three key sectors that power innovation and economic growth. More than gross domestic product or economic power, the true measure of a nation’s vitality and resilience is its cultural and technological creativity. From Louis Armstrong to Beyoncé, and from Irving Berlin to Lin-Manuel Miranda, arts and culture reflect and reinforce the power of our diversity. – USA Today