How To Sing Opera In Mandarin Chinese

Katherine Chu and Juliet Petrus, both alumnae of San Francisco Opera’s Merola/Adler young artists’ program, have written “the first book to introduce Mandarin as a language for singing, with a detailed explanation for the creation of sounds and a system for learning them. … Singing in Mandarin combines a brief study of linguistics, notes about the history of China and Taiwan, the development and significance of Pinyin …, a wealth of information about Mandarin pronunciation, and scores with multilingual text of Chinese [art] songs.” – San Francisco Classical Voice

James Conlon To Fill In At Baltimore Symphony After Marin Alsop’s Departure

Conlon — music director of Los Angeles Opera since 2006 and previously music director or principal conductor of the Paris Opera, the Cincinnati May Festival, the Ravinia Festival, the RAI National Symphony Orchestra in Turin, the Rotterdam Philharmonic, and the city of Cologne in Germany — will become the Baltimore Symphony’s Artistic Adviser in September of 2021, when Alsop ends her 14-year tenure as music director. Conlon will not be a candidate for the permanent music director post. – Baltimore Business Journal

Met Opera’s Custom-Made Marc Chagall Stage Curtain Is Up For Auction

The artist — whose two murals for the opera house’s lobby, famously visible to passersby from well beyond Lincoln Center’s central plaza, were put up as collateral for a loan in 2009 and again in 2014 — created the 65′-by-48′ curtain for a 1967 staging of Mozart’s Magic Flute, the only opera production he ever designed. – The New York Times

Why Pianists Know So Little About Their Pianos

“Why are pianists at such a loss when it comes to understanding the mechanics of their own instrument? This lack of knowledge separates them from almost all other instrumentalists. Not only can violinists, clarinetists, harpists or flutists tune their instruments, and even bend pitches in performance, they also, by and large, know much more about how their instruments work.” – The New York Times

Why Opera Will Endure

Opera is one of those words that contains so much historical and symbolic weight and prejudice that you have to clamber through dense, thorny tangles before you even get to what it might actually be, and if there is anything really left, other than it being a segregated leisure pursuit for the entitled. – LitHub