Katherine Chu and Juliet Petrus, both alumnae of San Francisco Opera’s Merola/Adler young artists’ program, have written “the first book to introduce Mandarin as a language for singing, with a detailed explanation for the creation of sounds and a system for learning them. … Singing in Mandarin combines a brief study of linguistics, notes about the history of China and Taiwan, the development and significance of Pinyin …, a wealth of information about Mandarin pronunciation, and scores with multilingual text of Chinese [art] songs.” – San Francisco Classical Voice
Category: music
James Conlon To Fill In At Baltimore Symphony After Marin Alsop’s Departure
Conlon — music director of Los Angeles Opera since 2006 and previously music director or principal conductor of the Paris Opera, the Cincinnati May Festival, the Ravinia Festival, the RAI National Symphony Orchestra in Turin, the Rotterdam Philharmonic, and the city of Cologne in Germany — will become the Baltimore Symphony’s Artistic Adviser in September of 2021, when Alsop ends her 14-year tenure as music director. Conlon will not be a candidate for the permanent music director post. – Baltimore Business Journal
Yikes, What A Time To Be Taking Over The Paris Opera
“There should have been no better time to start than this, the company’s 350th anniversary, which was to have culminated this fall with a splashy new production of Wagner’s epic Ring cycle. Instead, [Alexander] Neef … walked straight into an annus horribilis.” – The New York Times
Simon Woods: Thinking About The Ways Forward For Orchestras
“We are currently living through the longest period of uncertainty that any of us has ever experienced in our professional lives, and it feels like an eternity. The more care we spend thinking about our missions in this not-yet moment, the more fully we’ll be ready for the world more embracing that awaits us.” – Simon Woods
Met Opera’s Custom-Made Marc Chagall Stage Curtain Is Up For Auction
The artist — whose two murals for the opera house’s lobby, famously visible to passersby from well beyond Lincoln Center’s central plaza, were put up as collateral for a loan in 2009 and again in 2014 — created the 65′-by-48′ curtain for a 1967 staging of Mozart’s Magic Flute, the only opera production he ever designed. – The New York Times
Israeli Opera Moves To Lay Off Its Entire Chorus
At least 55 of the chorus’s 62 members have received notice of the mandatory hearing that precedes layoffs in Israel; the singers have been on furlough since the spring. Their union reports that the company abruptly ended negotiations on a new contract and evidently plans to hire freelance choristers at cheaper rates. – The Jerusalem Post
Tower Records Returns Online
The new online version of Tower Records was originally scheduled for introduction at the 2020 South by Southwest, but pulled back when that event was curtailed by the pandemic. It was also envisioned as a series of pop-up shops, an idea also delayed by the coronavirus. – Deadline
Musicians From Mali Offer Some Advice For Getting Through Tough Times
While the shutdowns across the world created some opportunities for musicians to rest, pause in endless touring, and recuperate from years of relentless work, it’s also caused some major challenges. “We just keep surfing on the waves — see what’s gonna happen next day, what’s gonna happen next day, next month.” – NPR
Why Pianists Know So Little About Their Pianos
“Why are pianists at such a loss when it comes to understanding the mechanics of their own instrument? This lack of knowledge separates them from almost all other instrumentalists. Not only can violinists, clarinetists, harpists or flutists tune their instruments, and even bend pitches in performance, they also, by and large, know much more about how their instruments work.” – The New York Times
Why Opera Will Endure
Opera is one of those words that contains so much historical and symbolic weight and prejudice that you have to clamber through dense, thorny tangles before you even get to what it might actually be, and if there is anything really left, other than it being a segregated leisure pursuit for the entitled. – LitHub