“Opera Australia will [announce] its summer season on Thursday, still reeling from a turbulent past six weeks that saw the company hit with a slew of unfair dismissal cases, and its orchestra deliver a vote of no confidence in its concertmaster.” – The Guardian
Category: music
La Scala Cancels Opening Night After COVID Hits Company
“The Dec. 7 season [opening] at Milan’s La Scala opera house, a gala event that is one of Italy’s cultural highlights, is being canceled after a rash of coronavirus infections among musicians and chorus members.” The program was to have been a staging of Donizetti’s Lucia di Lammermoor starring Lisette Oropesa. – AP
Classical Concerts Under COVID: Where Things Stand In Asia, Australia/New Zealand, And the Americas
With governments in China, Japan, South Korea, and Singapore mostly able to impose safety measures without too much pushback, case numbers are down and concert numbers are up, though usually with reduced audience. New Zealand is almost back to normal and Australia is getting there, with even a Ring cycle planned for Brisbane this month. Alas, reports David Karlin, “the contrast between Asia and the Americas could not be more stark,” though tentative returns to concert life are happening in Canada, Colombia, and Chile. – Bachtrack
San Francisco Symphony Musicians Accept 30% Salary Reduction
“The announcement on Monday, Nov. 2, by the Symphony management cited a cumulative revenue loss of $40 million by the end of the 2020-21 season as a result of the ongoing COVID-19 pandemic. All of the orchestra’s live performances through the end of the calendar year have been canceled.” – San Francisco Chronicle
“Fullnaming” Famous Composers Is Silly
Chris White’s “fullnaming” idea—an invented word for his invented crusade—seems to belong more in a social studies department at a middle school than a music department at a university. Johann Sebastian Bach versus Bach. We get the point. Doesn’t insisting on full names for everyone seem a little pretentious, annoying, tedious, and dare I say . . . elitist? – The Bulwark
Researchers Have Some Good News About Indoor Concerts And COVID
“Analysis of an indoor concert staged by scientists in August suggests that the impact of such events on the spread of the coronavirus is ‘low to very low’ as long as organizers ensure adequate ventilation, strict hygiene protocols and limited capacity, according to the German researchers who conducted the study.” Be aware, though, that the paper has not yet been peer-reviewed. – The New York Times
COVID Has Orchestras Rethinking The Need For Music Directors
What we are seeing is a breakdown of trust between musicians and maestros, a schism that will lead, post-Covid, to a downgrade or downfall of the music director. There has been, over half a century, a tremendous evolution in the role from Toscanini-like autocracy to a chummy collegiality in which maestros achieve harmony by consensus and drink beer after concerts in the musicians’ bar. But when the chips are down, as they often are, it is still the music director who makes key decisions and leads the fights for extra funding, a new concert hall and social justice. – The Critic
What Classical Music Loses In Screen Translation
The novelty of watching concerts over Zoom has worn off, and though audiences are still pleased to have anything, anything at all, to watch, the loss of physical space is real, and musicians and conductors feel it. “The absence of an audience subtracts something essential from the music as well; it becomes an unbalanced equation, an unanswered question.” – Washington Post
In Isolation, Listening To The World
You want to hear Japanese psychedelia from 1971? Johnny Hallyday and Edith Piaf? The indie music of Mexico? The internet, of course, is there for you (and for all of us). – The New York Times
How To Compose Over The Internet: 17 Players, Five States
Sixteen instrumentalists from the contemporary music ensemble Alarm Will Sound were scattered across several states and four makeshift home offices and professional studios, working with Tyshawn Sorey on his “Autoschediasms.” To synchronize everyone’s efforts, each “pod” of musicians was simultaneously logged into two different internet conferencing applications. – The New York Times