What Will The Opus 3/San Francisco Conservatory Deal Mean For Classical Music?

Any such acquisition would be without precedent, but the size and history of Opus 3 makes the announcement headline news not only in the world of music and art but also among business executives and attorneys. Few details are contained in the original announcement and the source of financing what must be a multimillion-dollar acquisition remains confidential — at least for the time being. – San Francisco Classical Voice

Is Calling Beethoven By Only His Last Name Racist?

“On the one hand, then, initiatives toward diversity and inclusion are placing new names on concert programs, syllabi, and research papers, names that might not have been there 10 or 20 years ago—or even last year. But these names are appearing next to those that have been drilled deep into our brains by the forces of the inherited canon. This collision between increasing diversity and the mononyms of music history has created a hierarchical system that, whether or not you find it useful, can now only be seen as outdated and harmful.” – Slate

Entire Hong Kong Philharmonic Trapped In Island Quarantine

Ever since the bass clarinetist tested positive for the coronavirus, “they have been placed in the same section of the 1,080-room camp [on Lantau Island], each minimally furnished room the size of a standard shipping container. Jamming and group rehearsals are banned, obviously, given that nobody can leave their own rooms.” Here’s how they’re getting through the days. – South China Morning Post (Hong Kong)

Seattle Chamber Music Society Says Its Online Festival Went Surprisingly Well

What, cheerful classical music news right now? Yes. Adding comments such as “filled my life with joy,” hundreds of patrons responded to a survey about the Chamber Music Society’s Virtual Summer Music Festival. The festival “rated 8.4 on a scale of 10. It brought in 389 new ticket purchasers (32% of patrons) and 92 first-time donors, many international patrons, and 300 more subscribers than usual — likely because there were no constraints on the size of the concert-hall space.” – Seattle Times