Category: music

“Are these experiences an authentic way of experiencing live music? Or do they indicate a transition towards a dystopian cultural milieu? In this scenario, we might end up losing sight of the multi-sensory and collective aspects of live music and experience it instead alone at home through a VR headset or a similar technological device.” – The Conversation

Playing chamber music in a midtown Manhattan park? Sure, you can (especially if you’re playing Florence Price), but folks are getting way more creative these days. David Patrick Stearns reports on the Ellen Reid/New York Philharmonic app configured for Central Park, The Crossing dispersing its singers and a specially designed speaker system across a wildflower preserve, and a multi-composer “immersion” in Brooklyn’s Green-Wood Cemetery. – WQXR (New York City)

After one member of the chorus tested positive following the Sept. 13 performance, more than 40 other members and their close contacts went into isolation, the chorus said. Since then, at least 30 singers have tested positive, the Sallent municipal government said. – Seattle Times (AP)

“Firefighters worked for seven hours to put out the fire on Thursday afternoon and were still there on Friday morning. According to the Emergency Situations Inspectorate, the flames burned an area of about 3,500 square metres, reducing much of the interior to ashes.” – Balkan Insight

Only a year ago, musicians and management were just ending a very bitter lockdown-turned-strike, and unflattering details of the orchestra’s severe money troubles had been splashed across the media. Now, despite the pandemic, there’s a new five-year contract in place and a spirit of cooperation. “It’s an astonishing reversal of fortune,” says the co-chairman of the players’ committee; “We’re working together in ways we haven’t in many, many years,” says the CEO. – Baltimore Magazine

Kyle Devine writes, “The environmental cost of music is now greater than at any time during recorded music’s previous eras.” He supports that claim with a chart of his own devising, using data culled from various sources, which suggests that, in 2016, streaming and downloading music generated around a hundred and ninety-four million kilograms of greenhouse-gas emissions—some forty million more than the emissions associated with all music formats in 2000.” – The New Yorker

Afton Battle, a native Texan with degrees in voice from the University of Houston and Westminster Choir College, “previously worked in development and consulting for the Joffrey Ballet, New York Theatre Workshop, Red Clay Dance Company, the National Black Theatre, and the African American Policy Forum. [She] is also one of the founders of the recently announced Black Theatre Coalition, [which] has a mission to increase employment opportunities for black theater professionals and eliminate systemic racism in American theater. Battle’s commitment to diversity informs her plans for FWO.” – Fort Worth Star-Telegram

The decision is likely to send ripples of concern through New York and the rest of the country, as Broadway theaters, symphony halls, rock venues, comedy clubs, dance spaces and other live arts institutions grapple with the question of when it will be safe again to perform indoors. Far from being a gilded outlier, the Met, the nation’s largest performing arts organization, may well prove to be a bellwether. – The New York Times

A musicologist and a songwriter, stars of Vox’s ‘Switched on Pop’ podcast produced with the New York Philharmonic, have been criticised for their new reading of Beethoven’s Fifth, which argues that white men embraced the work and turned it into a “symbol of their superiority and importance.” – ClassicFM

The platform, with its artist-first business model, has since its birth in 2008 become a player in the music streaming wars by celebrating niche communities while promising a radically transparent approach to royalties. – Los Angeles Times