Notre-Dame’s Organ Is Being Taken Apart Piece By Piece To Get The Lead Out

Miraculously, the enormous instrument suffered no structural damage from the April 15, 2019 fire at the medieval Paris cathedral. But the 8,000 pipes, five keyboards, and intricate mechanisms were covered and filled with toxic lead dust from the destroyed roof and spire. Disassembly will take until the end of this year and the cleaning will take more than three years; after the organ is all back together, it will take six months to tune and voice it. – Yahoo! (AP)

Musicians Blast Spotify CEO For Comments On Royalties

The CEO ― whose net worth is estimated at over $4 billion ― argued in an interview with Music Ally published Thursday that there was a “narrative fallacy” around claims that Spotify’s royalties were too low, saying: “Some artists that used to do well in the past may not do well in this future landscape, where you can’t record music once every three to four years and think that’s going to be enough.” – HuffPost

That Time A Research Librarian Discovered His Library Owned A First Edition Of Beethoven’s Sixth

At the Moravian Music Foundation, librarian David Blum “was doing a routine cataloging of material that the foundation has owned for years, [when] he noticed the plate number of the printing was 1809, his first clue that he was onto a first edition. He thought that would be great — but unlikely.” And yet. – Winston-Salem Journal

Recreating The Sound Of Hagia Sophia

For a group of scholars, scientists and musicians, Hagia Sophia’s rededication as a Muslim place of worship threatens to cloak a less tangible treasure: its sound. Bissera Pentcheva, an art historian at Stanford University and an expert in the burgeoning field of acoustic archaeology, has spent the past decade studying the building’s extravagantly reverberant acoustics to reconstruct the sonic world of Byzantine cathedral music. – The New York Times

Salzburg Festival Will Happen This Year, And Here’s How They’ll Do It

“A sprawling, 44-day anniversary program has been mostly postponed until next year. It has been replaced with a reduced, 30-day schedule, through Aug. 30, of concerts, plays and two (instead of seven) staged operas.” Artistic director Markus Hinterhäuser says “we have measures for cultural institutions — which are 200 percent necessary — that respect the health of the people working and the audience.” And those measures, it turns out, were designed partly by a baritone-otolaryngologist. – The New York Times