The Legacy Of Isaac Stern

At the centenary of his birth, NPR has an appreciation of those he mentored and his influence on the music world of today. “Isaac Stern’s tombstone simply reads, Isaac Stern, fiddler. These three words leave out an awful lot.” – NPR

If You’re In A Low-Virus Area, Is It Safe To Sing Yet?

Uhm. British government regulations are that singers and musicians stand three meters apart, or (for singers) back-to-back, or side-by-side (in other words, not in rows on risers). “If the chorus at the Last Night of the Proms had to stand side-by-side then Rule Britannia would begin in the Royal Albert Hall and stretch all the way down to the Natural History Museum, almost half a kilometre away.” Also, again, it may not be safe at all. – BBC

The Covid-19 Proms Start With A Remote Beethoven Mashup

For the new Beethoven piece, 323 musicians and choir members will perform remotely – and during Proms, most performances will be from years past (though there’s a faint hope some final performances might be live). Proms organizer David Pickard: “This year it is not going to be the Proms as we know them, but the Proms as we need them.” – BBC

Where Classical Crossover Is Headed Now

James Bennett, II: “First, we looked at the technology and market realizations that set crossover up for a late 1980s-90s boom. Then we explored how that bubble burst. But crossover today isn’t dead — it’s just assumed a new form, as it’s done throughout its long history. Now, it’s less opera-pop and more chamber covers of popular music. And if recent pre-COVID concerts are any indicator, concerts centered around popular film and television scores might be selling out for years to come. At least if you’re Hans Zimmer.” – WQXR (New York City)

Even Country Music Is Facing A Reckoning These Days

“How does a genre in love with routine respond to a moment in which everyone’s lives have been disrupted?… Country fetishizes the day-after-day realities of homes, highways, and beer halls. There are exceptions, but typically it’s a genre in which work and family and place all are held up as things that must be defended. … As a slew of recent scandals and scuffles have demonstrated, however, not even Nashville can maintain the status quo anymore.” – The Atlantic