Listen To 50 Years Of Interviews About American Music

“For the most part, the Oral History of American Music, known as OHAM, has focused not on insurance salesmen or barbers, but has instead gone straight to the source: living American composers, who sit for interviews that can last many hours. The archive has grown to encompass recordings of around 3,000 interviews with major voices in American music.” – The New York Times

The Composer For Quarantine Consolation — Bach? Beethoven? Brahms? How About Leroy Anderson?

What, the guy who wrote all those pops-concert pieces like The Typewriter, The Syncopated Clock, and Sleigh Ride? Yes, says Anthony Tommasini: “Bach provides solace, Beethoven stirs us with resolve and Brahms probes aching emotional ambiguities. But trust me: Leroy Anderson will make you feel better about things.” – The New York Times

What Classical Musicians Are Revealing As They Stream From Home

David Patrick Stearns: “The carefully-curated public images of the past … have, ironically, faded away in this era of social distancing. Any exterior glamour that creates psychological distance suddenly feels out of fashion in a health crisis that we’re all in together. … [And] some use the blank-page spontaneity for the kind of reckless innovation that might not normally be permitted.” – WQXR (New York City)

Balcony Tenor Maurizio Marchini Took Time Off When He Saw Army Trucks Taking Away Bodies

After the Italian shutdown, Marchini immediately “went viral” (but in a good, pre-Covid-19 way) when he performed from his balcony on March 13. He didn’t even know it because, he says, “I’m not a social guy.” Then things got grim, and he took time off out of respect to the families. Now he’s back on his balcony singing arias. – Vice

Grammy Winner Miho Hazama Explains How To Combine Classical Training And Contemporary Jazz

Hazama, in this podcast: “My main study back in Japan was to be a film composer. But at the time, computer was taking over the entire industry. My thing was to write for acoustic musicians, not for the computer. … And I kind of lost my dream in the middle of my college life in Japan. So that’s the only reason why I got really into jazz composition. And then I wanted to meet jazz composers who are alive. That excited me so much because I couldn’t obviously meet Ravel or Prokofiev or Stravinsky in person.” – Slate