In a statement to supporters obtained by the Observer, the opera said Beth Hansen’s role was cut “as a result of a harsh economic climate for the arts and a possible reduction in fiscal year 2021 support from the Arts & Science Council.” – Charlotte Observer
Category: music
Marin Alsop Named Chief Conductor At Ravinia
She will be the first person to hold this post, which has been created for her, in Ravinia’s 116-year history. – Chicago Tribune
Coronavirus Outbreak Leads Washington’s National Symphony To Cancel Three Concerts In China
Said the NSO’s executive director, “The combination of warnings from the State Department and the CDC, and our flights were canceled; there was no way to get there and no way to get home.” The orchestra’s March tour will still include five concerts in Japan. – The Washington Post
How The Right Conductor And The Right Orchestra Can Make A Statement
Alex Ross: “For the most part, the classical-music world is in need of conductors with broad horizons, who can guide audiences from a passive worship of the past to an active awareness of the present. The rote repetition of Mozart, Beethoven, Brahms, and Mahler ultimately does those composers no favors. But we also need conductors who know how to revitalize the grand tradition—and orchestras that can respond in kind. At the moment, Pittsburgh is one of the few places on the international scene where that alchemy regularly happens.” – The New Yorker
Data: Pop Songs Have Become Sadder. Why?
English-language popular songs have become more negative. The use of words related to negative emotions has increased by more than one third. Let’s take the example of the Billboard dataset. If we assume an average of 300 words per song, every year there are 30,000 words in the lyrics of the top-100 hits. In 1965, around 450 of these words were associated with negative emotions, whereas in 2015 their number was above 700. – Aeon
The Remarkable Caroline Shaw
Some composers deal with the threat of boredom by cramming their scores full of drama and extreme sounds. Others embrace it, stretching time and indulging in trancelike repetition. Shaw describes her approach as the avoidance of both extremes. “I know what I don’t like,” she says: “plain harmonies that don’t ever change. What makes me sad is hearing a sequence of interesting chords — and then it goes to vanilla. That’s the worst.” – New York Magazine
Want High School Kids To Get Excited About Engineering? Try Teaching Them To Make Guitars
“Unlike science and math, engineering and technology skills aren’t typically included in the standardized tests used to evaluate students and their teachers. Because the stakes are high, schools generally make the subjects that are tested their highest priority. When kids make guitars, they learn the math and science, but also the importance of mechanical precision, the design process and basic manufacturing skills, which are central to what engineers do.” – The Conversation
One In Six American Adults Sings In A Choir — And They’re Healthier For It
“[A recent] study identifies numerous reasons: Singing in groups has been linked to better mental and physical health, a sense of belonging and feeling connected to others, better social skills, increased civic engagement and volunteering, developing leadership skills and much more.” – Pittsburgh Post-Gazette
Ireland’s Youth Orchestras Are Growing
The orchestras that get most of the publicity are just the tip of the iceberg. And they are seriously outnumbered by a less-heralded cohort. Just as the great teams in sport are outnumbered by the organisations that operate in local communities or provide an outlet for youth activities. – Irish Times
Revise Those Biographies: Beethoven Could Still Hear Until Just Before He Died
Theodore Albrecht, professor of musicology at Kent State and Beethoven expert, claims, “Not only was Beethoven not completely deaf at the premiere of his Ninth Symphony in May 1824, he could hear, although increasingly faintly, for at least two years afterwards, probably through the last premiere that he would supervise, his String Quartet in B-flat, Op 130, in March 1826.” – The Observer (UK)