How The Right Conductor And The Right Orchestra Can Make A Statement

Alex Ross: “For the most part, the classical-music world is in need of conductors with broad horizons, who can guide audiences from a passive worship of the past to an active awareness of the present. The rote repetition of Mozart, Beethoven, Brahms, and Mahler ultimately does those composers no favors. But we also need conductors who know how to revitalize the grand tradition—and orchestras that can respond in kind. At the moment, Pittsburgh is one of the few places on the international scene where that alchemy regularly happens.” – The New Yorker

Data: Pop Songs Have Become Sadder. Why?

English-language popular songs have become more negative. The use of words related to negative emotions has increased by more than one third. Let’s take the example of the Billboard dataset. If we assume an average of 300 words per song, every year there are 30,000 words in the lyrics of the top-100 hits. In 1965, around 450 of these words were associated with negative emotions, whereas in 2015 their number was above 700. – Aeon

The Remarkable Caroline Shaw

Some composers deal with the threat of boredom by cramming their scores full of drama and extreme sounds. Others embrace it, stretching time and indulging in trancelike repetition. Shaw describes her approach as the avoidance of both extremes. “I know what I don’t like,” she says: “plain harmonies that don’t ever change. What makes me sad is hearing a sequence of interesting chords — and then it goes to vanilla. That’s the worst.” – New York Magazine

Want High School Kids To Get Excited About Engineering? Try Teaching Them To Make Guitars

“Unlike science and math, engineering and technology skills aren’t typically included in the standardized tests used to evaluate students and their teachers. Because the stakes are high, schools generally make the subjects that are tested their highest priority. When kids make guitars, they learn the math and science, but also the importance of mechanical precision, the design process and basic manufacturing skills, which are central to what engineers do.” – The Conversation

Revise Those Biographies: Beethoven Could Still Hear Until Just Before He Died

Theodore Albrecht, professor of musicology at Kent State and Beethoven expert, claims, “Not only was Beethoven not completely deaf at the premiere of his Ninth Symphony in May 1824, he could hear, although increasingly faintly, for at least two years afterwards, probably through the last premiere that he would supervise, his String Quartet in B-flat, Op 130, in March 1826.” – The Observer (UK)