Category: people

“Norman Rosenthal is the master of the big production. He occupies a unique and enviable role in British art. While other gallery directors find themselves bogged down in bureaucracy, in running an institution, Rosenthal can devote his time to conjuring up the dreamiest exhibitions. His track record is amazing. When he arrived at the Royal Academy 25 years ago, it was a fusty and largely irrelevant institution. Today, it is one of the world’s great exhibition spaces.”

Last summer Canadian art collector Ken Thomson paid $117 million for a Rubens (or maybe it wasn’t a Rubens, depending on who you ask). This month he announced a gift of $300 million to the Arts Gallery of Ontario. The man’s appetite for things art is voracious. “To describe Ken Thomson as a driven collector is like describing Glenn Gould as a gifted pianist; the words cannot quite do it justice.”

At 80 years old, composer Lukas Foss still commutes weekly from New York to Boston to teach. “Twenty years ago we had this club, the avant garde, and that’s no longer really very functional. Now any style is OK. There was a time when you had to be a `12-tone’ composer to be considered Now that’s not the case. Minimal, aleatoric, 12-tone, these are all just techniques.”

Since retiring New York collector/dealer Gene Thaw “has made philanthropy something of a second career. The Thaw Charitable Trust, established in 1981, is endowed largely from the sale of a van Gogh painting, The Flowering Garden, a decade ago. A founding member and past president of the Art Dealers Association of America, Mr. Thaw retired from active dealing a decade ago but remains an insider’s insider.” Says the director of the Morgan Library: “Gene’s generosity has been so great that he must be regarded as the single greatest patron of this institution since the death of its founders.”

Brian Stokes Mitchell is at the top of the acting game in New York. “No other actor can match his singing voice. No other singer can claim his acting range or experience. No other man — at least, no one who works in the theater regularly — can say, ‘I want to play Don Quixote in Man of La Mancha’ and bring it about. Mr. Mitchell has reached a rare perch in the American theater: he can make his dreams come true with other people’s money.”

Edward Albee had brilliant success early in his career, but then went through a period where he couldn’t do much right, at least as far as the critics were concerned. Then he was golden again. Albee, 74, maintains that the quality of his writing didn’t much vary during those wilderness years. The only difference was the critical reception. Similarly he was, and still is, driven by the same motives, still irked by the same social faults.”

Scholar and cultural critic George Steiner is worried about us. Specifically, he worries that while nearly all of us know how to read a computer manual, very few of us have read The Iliad or Ulysses. Is the modernity of Western life destroying our cultural history? “Every generation loses a little bit of the past, as new poems and novels jostle for attention. But Steiner (like Baudrillard, Sontag and Paglia) believes that the catastrophic forgetfulness that has overtaken the West since the Second World War is a sign that the print culture that sustained us for six centuries is actually dying.”

It’s been a year since Jonathan Franzen dissed Oprah and her book club. He says things have changed, but others aren’t so sure. “Franzen has the most dire case of literary status-anxiety that I have ever seen,” says Leon Wieseltier, literary editor of the New Republic. “He demeans his own seriousness with his flurries of positioning.”Others are more positive. “This is someone whose work is galvanized by his own contradictions, his own warring instincts,” says Henry Finder, editorial director of the New Yorker.

William Marri, 33, a former principal dancer with the National Ballet of Canada, died Saturday after being in a motorcycle accident in New York. Marri had left the National last March to join the cast of the Billy Joel/Twyla Tharp show Movin Out, which recently landed on Broadway. “Marri was riding his motorcycle before an evening performance when he crashed.”

Dave Eggers has a way of polarizing opinions about him. Is he a brilliant writer, a lone wolf who has gone his own way and eschewed Big Publishing? Or is he a shrewd PR guy who’s figured out how to play the fame game? “Eggers can’t lose: he will either be remembered as one of the leading American writers of the twenty-first century, or as someone who discovered, nurtured and galvanised those who are.”