RE-EVALUATING LEONARD BERNSTEIN (AGAIN)

It’s been ten years “since chain-smoking, emphysema and pleural tumors ended that neck-and-neck race between Bernstein and “the odds,” he’s still – in a strange way – on the scene, though without his provocative politics, podium gyrations, capes and cigarette holders. So can we finally get to the truth behind the best-documented musician in Western Civilization?” – Philadelphia Inquirer

POWER BROKER

“His name is Costa Pilavachi, and he is president of the Decca Music Group in London. At 49, he happens to be just about the most powerful person in the classical-music business – the man who produces not only Bartoli’s albums but those of Luciano Pavarotti, Renée Fleming, Vladimir Ashkenazy, Andrea Bocelli and Jessye Norman.” – Toronto Star

HARD-LIVING VIOLINIST

“Death is a recurring theme in a Ivry Gitlis interview because, well, other people just keep bringing up the subject. ‘Maestro rages against dying of the light’ screamed one review headline after Gitlis made his Australian debut at the 1998 Huntington Festival. Across the globe, music writers never tire of surmising whether the astonishing performance they’ve just witnessed might very well be the violinist’s last.” – Sydney Morning Herald

CHAUCER STILL FASCINATES

“This week sees the 600th anniversary of the death of Geoffrey Chaucer, spy, courtier, envoy and the father of English literature and the queues outside the Canterbury Tales, a converted church which contains an audio-assisted whistlestop tour round the great man’s work, themselves tell a remarkable tale. “Canterbury is more popular today than it was in Chaucer’s time.” – London Evening Standard

THE REAL PAUL BOWLES?

It’s been a year since Paul Bowles died in Morocco. But the picture of him as the expat recluse is not very accurate. And tributes on the anniversary of his death aren’t likely to get at the meat of his life. “The idea that Bowles preferred to live in isolation from the world – because he never moved back to New York – is an enabling fiction: it lets journalists and critics off the hook for not bothering to learn about Morocco or Bowles’s life there.” – Feed