COLOR ME BECKETT

The photos of Samuel Beckett have been black and white. Now an exhibition of color pictures: “Whereas those who met Beckett invariably spoke of his piercing, pale blue eyes – ‘scarily intelligent,’ as Michael Colgan, the director of the Gate theatre in Dublin, described them – the published portraits of Beckett remained in black and white.” – Sunday Times (UK)

FACT OR FICTION?

Unveiling a new photo book of her life’s work, infamous Hitler-era filmmaker Leni Riefenstahl (whose “Triumph of the Will,” has been renowned and despised as the best propaganda film ever made) pleaded with the press to acknowledge her as an artist, and not as a Nazi. “Ninety percent of what has been written about me has been made up.” – Yahoo! News (Reuters)

WHY SO WILDE ABOUT OSCAR?

London’s Barbican is devoting an exhibition to Oscar Wilde. But at least one critic isn’t happy about it: “In fact he was a second-rate poseur and plagiarist, and his influence on the visual arts in this country was almost wholly destructive. His apologists call him a populariser, but forget to mention the devastating effect that his popularising had on the course of British art.” – The Telegraph (UK)

LIFE WITHOUT BOULEZ?

Where would our musical cultural have been without Pierre Boulez? “Important works by a vast number of other composers — Elliott Carter, Gyorgy Ligeti, Harrison Birtwistle — would never have been commissioned or recorded. And there would have been no one to keep contemporary music in the public eye, especially in the public eye represented by the television camera.” – New York Times

MCLUHAN GETS ANOTHER 15 MINUTES

Marshall McLuhan was seen as a visionary in his time, but soon after he died, his pronouncements were regarded as quaint and outdated. But now he’s been adopted as an icon of the new digital age. “Everyone thought that McLuhan was talking about TV, but what he was really talking about was the Internet — two decades before it appeared.” New York Times

RAGE AGAINST THE DUMBING DOWN

For years, British composer Harrison Birtwistle lived as a recluse on a remote French hillside. Now, at 66, he’s moved back to Britain, with some strong ideas about English culture. “I believe we have in this country the best musicians in the world, but we don’t have the best orchestras because we don’t give them the money to rehearse. It’s spread too thin. So second-rate becomes good enough, and we don’t know the difference any more.” – The Telegraph (UK)