WHO IS GAO XINGJIAN?

Gao is considered the leading contemporary Chinese dramatist. His plays, which combine Zen philosophy and a modern worldview, have been performed all over the world, from China, Hong Kong, Taiwan, Japan and Australia to the Ivory Coast, the United States, France, Germany and other European countries. – China Times (Taiwan)

A TRUE EXILE WRITER: Those familiar with Gao’s work say he rankles the pro-democracy movement as well as China’s communist government. – Washington Post

WHO, AGAIN? “Xingjian is apparently the creator of Chinese oral theatre as well the author of a classic novel, ‘Soul Mountain’. I have never heard of him and neither – shameful to relate – had anyone else whose opinion I canvassed in the half-hour or so following the announcement, but then neither had many westerners heard of the Egyptian novelist Naguib Mahfouz before his triumph in 1988 or Polish poet Wislawa Szymborska in 1996.” The Guardian

POET OR FRAUD?

Andreas Karavis has become something of a literary sensation, with his work turning up in prestigious publications. But he’s never granted an interview, and some wonder whether he exists. Poet David Solway, who speaks on Karavis’ behalf “may well simply be the man who discovered Karavis and been responsible for promoting his work in Canada. Or, according to a growing body of conspiratorial thought among the literati, he and Karavis may be one and the same.” – The Globe and Mail (Canada)

THE CULT OF KEITH JARRETT

Keith Jarrett has returned to the concert hall after a debilitating illness. “Jarrett, fortunately, is not in that twilight zone, and there is no smell of death in what he is doing. Even so, his recent frailty has intensified his appeal to his followers, a kind of worshippers-come-nigh charisma that has gilded any shortcomings in his own performing.” – New Statesman

I WRITE THE CHECKS…

Alberto Vilar has become the Daddy Warbucks of the music world. In the past few seasons he has given some $150 million for projects he likes. “Mr. Vilar has not been shy about demanding displays of gratitude commensurate with such gifts. At the Met, for example, an operagoer may now sit in the Vilar Grand Tier or dine at the pricey Vilar Grand Tier Restaurant. As a result, he has become an easy target for critical barbs, particularly in Europe.” – New York Times