MORE THAN JUST STRANGE

Pianist Glenn Gould was renowned both for his talent and for his eccentric performance habits, which included rocking back and forth, humming loudly, and conducting to himself during concerts. Now the director of the music division at Canada’s National Library says evidence shows Gould suffered from Asperger’s syndrome, a kind of autism. “I went ‘Bingo.’ I’d suspected for a long time that this was more than just a weirdo.” – Yahoo! (Reuters)

MAESTRO ON EDGE

Wolfgang Sawallisch may be on his way out as director of the Philadelphia Orchestra, but he’s got a remarkable thing going in Philadelphia. “Although orchestra players traditionally complain about anyone who wields a baton, Sawallisch seems to inspire consistent affection from the orchestra, even amid observations that age has robbed his baton technique of some precision. But the mind behind the technique has gained precision.” Philadelphia Inquirer

MAKING THE WORLD SAFE FOR ARTS FUNDING

As do most ex-chairpeople of the National Endowment for the Arts, Jane Alexander has written a book about her experience running the American public arts funder. “From her coy pose on the cover, to the last desperate Shakespeare quotation, Jane Alexander has…produced a stunning argument for saving trees. This account of her tenure as chairman of the National Endowment for the Arts from 1993 to 1997, unfortunately reads like a high school student’s account of a summer abroad. – The Idler

FREEZE FRAME

Eccentric Englishman Eadweard Muybridge discovered the photographic system that would revolutionize scientific understanding and the process for naturalist art. Was this dedicated craftsmen “a mad scientist, promoting his lab experiments as photographic art? Or was he an artistic opportunist, using science to gratify his flair for fantasy?” – Civilization

JOHN ADAMS RETURNS TO LONDON

John Adams has become one of America’s most popular, widely performers and accomplished composers. “Outgrowing the hypnotic drone of minimalism, he has taken on the classical tradition and annexed its august forms. It’s native bravado, not arrogance, which makes Adams measure himself against Verdi or compare his own dramaturgy with Shakespeare’s. – The Observer (UK)