Category: people

“In addition to their pioneering role as women on the jazz circuit, the International Sweethearts of Rhythm were an interracial band in the era of Jim Crow. Their extensive itinerary through the South, where they traveled by sleeper bus, reportedly inspired jazz piano giant Earl Hines to call them ‘the first Freedom Riders.’ They also toured Europe, playing in occupied Germany for American soldiers — both white and Black, though not at the same time.” (After the band broke up in 1949, Woods, who was biracial, joined the Omaha Symphony — and was fired after her first concert when management saw her Black father pick her up.) – WBGO (Newark, NJ)

The truth of Fleisher is in his own questions, his dogged pursuit of answers (from spiritual healers to experimental treatments) is more interesting than the answer itself. You can’t help but listen to “Two Hands” (the title itself suggestive of juxtaposition; a distant cousin of “on the one hand…”) without hearing simply the music. It’s about the truth behind it. To quote Fleisher, “You will never get the answer until you listen to what you do, and ‘til you really hear the music and make a decision, make a choice for what you want to hear, for what you think the music is saying. It’s all so much more in your hands than you think.” – Van

“[He] was among that select breed of scholar who moves easily between academic and public spheres. His criticism found its way into classroom syllabuses and general-interest magazines. And more than dissecting others’ plays, he also wrote his own and had some success as a director. He adapted work by many of the European playwrights he prized, especially Bertolt Brecht, whom he first met in Los Angeles in 1942.” – The New York Times

Far from his native Kurdish village, escaped from Iran’s Revolutionary Guard, now released from the Australian internment camp in Papua New Guinea where he wrote his award-winning No Friend but the Mountains on a cell phone, Behrouz Boochani has received asylum in New Zealand and is settled in safe, pretty, tranquil Christchurch, where most Kiwis seem thrilled to have him. It’s driving him a little nuts. – The New York Times Magazine

Peter Marks: “Some people warn that you enter the bilious environs of social media at your peril. But I say, power up your device and be Zen about whatever transpires. Because you just might innocently scroll down one morning and end up with an honorary doctorate in hairdressing from a large chain of salons in Ireland.” – The Washington Post

“[He] became a celebrated reporter, columnist and the top editor of The New York Post and The Daily News; a foreign correspondent for The Post and The Saturday Evening Post; and a writer for New York Newsday, The Village Voice, Esquire and other publications. He wrote a score of books, mostly novels but also biographies, collections of short stories and essays, and screenplays, some adapted from his books.” – The New York Times

In 1761, at roughly age 7, the girl who would become Phillis Wheatley was taken from Africa to Boston and sold to the wife of a local merchant who educated her. Within a dozen years, she had published a book of verse in London and become perhaps the most famous Black person in the British Empire as well as a symbol for anti-slavery campaigners. Until recently, though, we knew her life story only through a tendentious memoir, written well after her death, by a woman who claimed to be a relative of her mistress. – The New Yorker

Among the many important titles he midwifed over a long career at Dial, Random House, Simon & Schuster, and Little Brown were James Baldwin’s Giovanni’s Room and The Fire Next Time, Alvin Toffler’s Future Shock, David Halberstam’s The Best and the Brightest, Marilyn French’s The Women’s Room, E.L. Doctorow’s Ragtime, Hunter S. Thompson’s Hell’s Angels, Seymour Hersh’s The Price of Power: Kissinger in the Nixon White House, and Oliver Sacks’s The Man Who Mistook His Wife for a Hat. – The New York Times

He remained, in critical estimation, a pianist of sublime musical intelligence whether playing with one hand or two. But he also gained renown off the stage as a conductor and an influential teacher. – Washington Post

Víctor’s hit was the 1991 “Mesita de la Noche,” but before that, his son says, the Dominican singer/songwriter/producer had “lived a double life. … He was writing romantic songs and being an artist, but he was also part of the underground political movement” opposed to dictator Rafael Trujillo. – The New York Times