Over the past week, some fans said that they had decided to simply walk away from the world that spans seven books, eight movies and an ever-expanding franchise. Others said that they were trying to separate the artist from the art, to remain in the fandom while denouncing someone who was once considered to be royalty. – The New York Times
Category: people
What Do Famous Artists Owe Their Fans?
As the famously passionate fans of the Harry Potter franchise rise up to express raging disappointment at the bigotry espoused by its creator, and the surprisingly passionate fans of Live P.D.—who launched vicious attack campaigns on journalists and critics calling for its cancellation—just rage, there’s another question beyond the right and wrong of all this. It’s the question of what, exactly, fans are owed from the culture they support—and what are they willing to accept in order to keep enjoying it? – The Daily Beast
Sonny Rollins On Surviving A Pandemic
“This is O.K. for me because I am trying to live in a different world, besides the world of the illness. I’m trying to live in a world of the spirit wherein I am concentrating on things such as the golden rule. This is my big thing; I am trying to live by it. The main thing is do unto others as you would have them do unto you. Sure, everybody knows it, but nobody lives by it. We live in a world where it’s about “I’ve gotta get mine, and—too bad for you—I’ve gotta get mine first.” – The New Yorker
15 Black Creatives In South Carolina Talk About Art And Protest
“[We] reached out to more than a dozen black artists” — painters, actors, musicians, poets, quilters, hip-hop artists — “across the state to discuss what they think is at the center of today’s protests and how their art has been part of the movement and catalyst for change.” – The Post and Courier (Charleston)
Let’s Stop Defining Artemisia Gentileschi As The Rape-Victim Painter
“Indexing Gentileschi’s oeuvre back to the rape and trial reinscribes the painter as an adolescent sex object, rather than an eminent adult artist with a 40-year career across major European cities. It also means that several of her paintings have been misattributed or overlooked because they didn’t correspond to the tropes of stricken or vengeful women. – Psyche
Bradley Fields, Who Used Magic To Teach Math, Dead Of COVID At 68
“[He] was ‘an antique guy in a modern world,’ appearing in a derby and vest and performing illusions from the vaudeville era: classic tricks with steel rings or handkerchief, dividing an assistant into thirds. … After [his sons] were born, Mr. Fields spent a year teaching elementary school in Manhattan’s Chinatown, which inspired him to create MatheMagic, a show for children that he performed up to 200 times a year.” – The New York Times
Jazz Saxophonist Don Weller Dead At 79
“A world-class saxophonist with a big sound, a big presence and a capricious improviser’s imagination, [he] sometimes seemed more at home playing pub gigs in his Croydon birthplace than chasing the high-profile career implied by his collaborations with a raft of stars. … Despite a late start, a self-effacing nature, few recordings, and a guileless indifference to just about any form of PR, he left an indelible impression.” – The Guardian
Longest-Working Comics Artist In History, Mad Magazine’s Al Jaffee, Is Retiring At 99
“To mark his farewell, Mad‘s ‘Usual Gang of Idiots’ will salute Jaffee with a tribute issue next week. It will be the magazine’s final regular issue to offer new material, including Jaffee’s final Fold-In, 65 years after he made his Mad debut” and 78 years after he began his career. – The Washington Post
Major Houston Art Dealer And Philanthropist Meredith J. Long Dead At 91
“Long was the right man at the right time in 1957, when he came to Houston to establish Meredith Long & Co. With less than a million residents then, the city had two art museums, three galleries and a core group of culturally ambitious oil, real estate and financial tycoons who could build important collections.” – Houston Chronicle
Michael Tilson Thomas Says Goodbye To San Francisco Symphony After 25 Years As Music Director
Despite the unexpected anticlimax, Mr. Thomas’s time in San Francisco should not go unmarked as it comes to a close. From the beginning, it has been a remarkable musical marriage. Mr. Thomas presented an American work in each subscription program he led that first season, a bold statement. But he simply saw the role of an American orchestra as championing American music. If that idea now seems standard, it’s in part because of him. – The New York Times