Actors With Disabilities Are Finally Starting To Break Through

“If a successful cultural transformation can be defined as the moment when you can finally stop counting heads, the first sign of that may be when you realize that at least there are heads to count.” Reporter Mark Harris meets with a crop of young performers landing roles and awards — but who still, always, find they have to educate producers, colleagues, and audiences. – T — The New York Times Style Magazine

Actors’ Equity OKs Three Indoor Productions, The First Since COVID Lockdown

“All three theaters are nonprofits in New England, where virus cases are low. The region has already been home to the first two outdoor productions featuring union actors during the pandemic. … Among the shows planned is a seven-actor version of Little Shop of Horrors; the theater is still figuring out how to stage a sadistic dental exam and several encounters with a man-eating plant, but is pledging to limit physical contact between actors (and yes, that means Audrey and Seymour will not kiss).” – The New York Times

How Theatres In Belarus Got Politically Active

Belarusian theatres, almost all of them state-owned since Soviet times, have officially remained outside of politics for 26 years. Everyone in management positions was appointed by the Ministry of Culture, and any political activity by employees was punished severely. But this August, it seems, even the Belarusian state theatres awoke from their slumber. – American Theatre

Minneapolis Theatre Looks Into The Future, Decides To Shut Down After One Last Season

The company realized last November that, given the current funding climate, it would not be able to sustain itself beyond the coming year. State and private grant priorities were shifting, Avitabile said, and a few key donors were no longer in a position to give. Rather than go into debt, 20% Theatre will use its last season to celebrate accomplishments. – MPR

Stand-Up Comedians Aren’t Finding The Whole Situation Very Funny Right Now

Should stand-up comedians play drive-in gigs, participate in Zooming, try to start YouTube channels or wait, somehow, for live audiences to return? It’s a bit of a mess for them, and sitting down to tell stories on camera … well. “It’s not really stand up per se. Don’t get me wrong, it’s really good and people have recorded really funny stuff. [But] It’s not quite live comedy. It’s filling a gap until we can get back on stage.” – BBC