Behind The Writers’ Strike – What’s The Value Of Entertainment?

“On the surface, the impasse revolves around how to divvy up future Internet media revenues. But the real problem is that nobody knows the value of anything anymore. Whether we’re reading horror stories about the mortgage meltdown, watching the dollar plummet or gagging on the prices at our neighborhood gas station, we’re all stumbling around with a nagging feeling that the value of things has become unmoored.”

Stagehands’ Strike Almost Over?

Sources are saying that Broadway stagehands and producers are “very close” to settling the strike that has shut down much of the Great White Way for the last 3 weeks. “Local 1, which represents the stagehands, has agreed to change some work rules but is still holding out for some kind of ‘salary compensation’ in exchange for those concessions.”

Wanted: A Theatre Of Change (Or Issues? Anybody?)

“The background issues underlying the Broadway shutdown are rife across America. No, most of us aren’t busy negotiating the Byzantine hiring regulations for loading in the set of a new musical. But all of us can relate to the fierce struggle wrought by an economy that has transformed housing and healthcare (forget dentistry altogether) into luxuries, given us job security on a wing and a prayer and forced upon businesses a risk-reward ratio that most professional gamblers would smirkingly walk away from.”

Guerilla Restorers Break In, Fix Historic French Clock

“For a year, under the nose of the Panthéon’s unsuspecting security officials, a group of intrepid ‘illegal restorers’ set up a secret workshop and lounge in a cavity under the building’s famous dome. They pieced apart and repaired the antique clock that had been left to rust in the building since the 1960s. Only when their clandestine revamp of the elaborate timepiece had been completed did they reveal themselves.”

Michael Kaiser, The Arts’ Mr. Fix-It

“Michael Kaiser, the turnaround virtuoso who rescued from financial ruin the Kansas City Ballet, the Alvin Ailey Dance Theater Foundation, American Ballet Theatre and, before coming to the Kennedy Center, London’s Royal Opera House, has developed an almost messianic urge to teach the art of arts management to struggling cultural institutions around the globe.”