More Income Inequality? That’s Great For The Art Market!

“The art market, in other words, is a proxy for the fate of the superrich themselves. Investors who believe that incomes and wealth will return to a more equitable state should ignore art and put their money into investments that grow alongside the overall economy, like telecoms and steel. For those who believe that the very, very rich will continue to grow at a pace that outstrips the rest of us, it seems like there’s no better investment than art.”

Last Orange Prize Goes To Madeline Miller’s The Song Of Achilles

The first-time novelist “won the award for [her] gripping and touching love story between exiled princeling Patroclus and Achilles, strong, beautiful and the son of a goddess. Miller becomes the fourth consecutive US novelist to win the prize, now in its 17th and final year of being called the Orange prize, following the mobile services company’s decision to end its sponsorship earlier this month.”

Philadelphia Orchestra Submits Reorganization Plan To Bankruptcy Court

“Thirteen months after entering Chapter 11, the Philadelphia Orchestra Association Wednesday night filed its plan for exiting bankruptcy. With consent – sometimes hard-won – now in place from key creditors, the orchestra’s blueprint for recovery will be considered by U.S. Bankruptcy Court.” If the plan is approved, “the orchestra expects to be out of bankruptcy by July 31.”

Is The Best-Selling Non-Anglophone Film In History Just Silly Racist Claptrap?

France’s The Intouchables has a worldwide gross of near $300 million (and it’s only just beginning its US release). “Viewers in numerous countries have eagerly devoured this feel-good fable about two men of different races and classes who forge an improbable friendship (dubbed by some wags ‘Driving Monsieur Daisy’). … At the same time, heated transatlantic debate has erupted over whether [the movie] traffics in offensive racial stereotypes.”

Peter Gelb Backs Down After One Day: Opera News Will Continue Reviewing Met Performances

“The Met said an ‘outpouring of reaction’ from opera fans on the Internet caused it to change course a day after The New York Times reported that Met officials and the publishers of Opera News had decided to stop reviewing Met shows. ‘I think I made a mistake,’ said Peter Gelb, the Met’s general manager.”