The Secret French Underground Artist Collective That Fixes Things

“UX is sort of like an artist’s collective, but far from being avant-garde–confronting audiences by pushing the boundaries of the new–its only audience is itself. More surprising still, its work is often radically conservative, intemperate in its devotion to the old. Through meticulous infiltration, UX members have carried out shocking acts of cultural preservation and repair, with an ethos of ‘restoring those invisible parts of our patrimony that the government has abandoned or doesn’t have the means to maintain’.”

How Technology Is About To make Us Rethink Copyright

“Fortunately, a technology on the verge of going mainstream will soon give us a chance to re-examine the role that copyright plays in our lives. By connecting the physical and the digital, 3-D printers remind us that copyright is not a general-purpose legal right that allows people to demand control over whatever they want. Instead, copyright has a narrow scope. And most of the things that make up our world simply do not fall into it.”

Barney Rosset, 89, Publisher And Anti-Censorship Hero

“[He] was most identified with his work at Grove Press, the New York-based book publisher he bought in the early 1950s. For the next several decades, he … used his company to distribute critically acclaimed but sexually explicit books by D.H. Lawrence, Henry Miller and William S. Burroughs and engaged in a series of groundbreaking legal battles that changed the way the government interpreted the First Amendment.”

Oscar Voters – Old, White, Male

“A Los Angeles Times study found that academy voters are markedly less diverse than the moviegoing public, and even more monolithic than many in the film industry may suspect. Oscar voters are nearly 94% Caucasian and 77% male, The Times found. Blacks are about 2% of the academy, and Latinos are less than 2%. Oscar voters have a median age of 62, the study showed. People younger than 50 constitute just 14% of the membership.”